A second chance at novel writing – What would you wish for?

In my debut love story with a twist, Adam and Anna can’t envisage life without each other but the universe has entirely different plans for them. After a tragedy forces them apart they long to be together once more and fix their damaged relationship. ‘The Life We Almost Had’ is a story of hope, regret, courage and loyalty and explores the immeasurable lengths the couple will go to for a second chance at first love, even when the consequences of finding each other once more are potentially life shattering. This is not a typical love story but sometimes, just sometimes, the seemingly impossible can become possible in the most unexpected way.

Publishing this book is a dream come. As a child I longed to be an author. I was obsessed with mysteries, devouring Enid Blyton’s Famous Five and Secret Seven books, writing my own series called ‘The Fantastic Five’ (**not copied at all**) and illustrating them with stick men drawings. It was when I read Little Women though that my vague hope to be published transmuted into a fierce desire. I wanted to take readers through the spectrum of emotions I had felt when reading Louisa May Alcott’s classic. I wanted readers to root for my characters, to celebrate their highs but more than any of that, I wanted to make them cry. My reviews so far have been stunning. Readers have really fallen for Adam and Anna in a big way, loving them as much as I do, and have thankfully been fascinated by the unusual concept.

It almost didn’t happen.

I remember with clarity, sitting in front of my careers advisor at school, holding out my dreams, hoping she’d help me make them come true.

She didn’t, and worse than that she laughed. People like me didn’t become writers apparently. I had no higher education. No contacts in publishing. It would be impossible for me to break into the world I longed to be part of and even if I did, she told me I would never be able to earn a living from it.

I carried my shattered dreams and my shattered heart outside and although I didn’t initially just give up, I was at a loss to know how to fulfil my ambition. There wasn’t the internet then to research the steps I could take. I asked in libraries, bookshops, colleges. I did everything I could… except actually write a book which seemed fruitless.

It was over twenty years later that my life changed in an instant. A car accident exacerbated a pre-existing health condition, as well as causing new damage, and I could no longer weight bear, reliant on a wheelchair and crutches to move around. Chronic pain was my constant companion and it didn’t take long for clinical depression to set in too. As well as losing my mobility I lost my identity, I wasn’t sure who I was, what I could do. I had spent years building a career which had fallen apart.

It was my spinal consultant who suggested I get a hobby. Try to forge a new life. Initially I couldn’t think of what I could do, my previous pastimes of horse riding and running no longer possible but then I remembered how much I used to love writing and tentatively I put pen to paper.

Writing Adam and Anna has been cathartic. It’s a hugely emotional story and through the characters, I’ve worked through many of my own complicated feelings – letting go of the life I almost had, and embracing the one I have.

My mobility will never be the same as it was, second chances sometimes come at a price, as Adam and Anna discover during the story, but I’m so glad I got one, being a full time author really is a dream come true.

If you could have a second chance at something, what would it be?

The Life We Almost Had‘ is currently 99p across all digital platforms. Download it from Amazon, iBooks, Kobo or Google.

As well as on Amazon, you can find the paperback in Tesco, or Waterstones or support your local bookstore. Book stores are always happy to order in a title they don’t have in stock.

A very different Paperback Publication Day!

It seems an age since I stood on the beach in Lanzarote, shielding my eyes as I gazed into the sea, my mind playing out an intensely emotional scene, a scene which changes everything my characters Adam and Anna thought they knew about life and love. As I researched this stunning location before returning to the UK to meet with a leading Neuroscientist to discuss whether my unusual concept could credibly work, the day I might potentially see my story on a bookshelf seemed so far out of reach.

But now, that day is here! It’s paperback publication day for ‘The Life We Almost Had’!!

The eBook has already been a No. 1 bestseller and my reviews have been stunning.

‘A love story with a definite difference . . . intensely emotional’ Best Magazine

‘Beautifully written and plotted. Get ready for the final chapter – you have been warned’ Candis Magazine

‘Intriguing, unusual and intensely romantic’ Sunday Mirror

Gripping, heartbreaking & completely original. ‘The Life We Almost Had’ is like nothing I’ve ever read.’ Clare Empson – Author

You can watch me reading the opening here.

Launching a debut in a pandemic is challenging. All events were cancelled for this year. Today is the busiest day in the publishing calendar and with the bookshops and supermarkets trying to catch up with all the big books which had their publication date pushed back there is very little space for the smaller books and debuts. I’m so very grateful to my editor and the team at HQ Stories who have remained so passionate about launching Anna and Adam into the world. My publisher will be giving away paperbacks of ‘The Life We Almost Had’ all day today via their Twitter page so do pop over and check it out.

Last month, for my digital publication day I had a live FB/insta launch which was great fun. Tonight should have been my book launch at Waterstones, a chance to thank my family and friends for their support, and to eat cake of course.

One thing I am vocal about is marking ever single success in publishing, however small, because in this industry there are many unavoidable lows. Finishing that first draft, ironing out a synopsis, or in the case of today, publishing a book, and despite the current circumstances I’m going to do just that.

I’m having a lunchtime celebration via zoom with my editor, agent and the wonderful team at HQ who worked so hard on this book (and publishing a novel really does take a village). Afterward, I’m heading straight to Tesco, seeing my story on a shelf will be such a special moment. Between 2-4 there is a very special publication day party over on Radio Chiltern where I, and several other authors who are publishing today will be chatting to host Antonia Honeywell about our books and choosing a song relevant to our characters (you can listen here).  Tonight, my husband is taking me out to dinner. We’ve booked an outdoor table at a lovely pub with far reaching countryside views, this means we can take Granger who has never once covered his ears with his paws while I’ve unloaded any potential plot problems on him. Fingers (and paws) crossed it doesn’t rain!

BIG thanks to everyone who as supported my Amelia Henley journey and if you’re one of the readers who have left one of the moving reviews on Amazon I really am HUGELY grateful. Some of the reviews have been so emotional they’ve moved me to tears, but I’ll leave you with this one which made me smile.

‘Adam & Anna fall in love on holiday, as you do. That’s as normal as this novel gets…’

The Life We Almost Had‘ is available all digital platforms. Download it from Amazon, iBooks, Kobo or Google. It is also an audiobook.

As well as on Amazon, you can find the paperback in Tesco, or Waterstones or support your local bookstore. Book stores are always happy to order in a title they don’t have in stock.

Book Clubs – The good, the bad & the boring… #reading

I love discussing books. All of my novels have book club questions at the back and writing questions that I know will spark interesting discussions is such a joy.

I’ve always been an avid reader. As a child I was the only one in my family who read, my friends didn’t seem to share the same intense love of books that I did and subsequently I always felt a little… odd.

After having children, some of the other mums at the school gate suggested forming a book club and I was overjoyed. Every fortnight, for three hours I’d be able to talk about plot, characters, twists. I couldn’t wait.

What actually happened was we met in a bar. Whoever chose the book would say ‘it was ok,’ most people hadn’t read it and then we’d drink and talk about our kids. We had some good nights but…

When I moved to a new area I googled ‘book clubs’ and much to my joy I found one. I emailed the organiser who, after asking me a lot of questions, invited me along to the next session. I immediately bought their current read and when it came curled up in an armchair determined to finish it before the meeting.

It. Was. A. Slog.

I’m all for broadening my horizons and reading outside my usual genres but on the first page alone I had to look up multiple words in the dictionary and that carried throughout the novel (I don’t use the word story here because I wasn’t convinced there was one).

I went along to the group, clutching my paperback, looking forward to meeting new people and hearing what they thought. They had A LOT of thoughts. I needed my dictionary again. I sat miserably nursing my cooling coffee (“we may meet in a pub but we don’t drink alcohol while we’re discussing literature, Louise”) and I felt out of my depth, stupid. Lonely. I never went back.

It’s taken years but finally I have found a book club full of members who are friendly, welcoming and love reading as much as I do. Surprisingly it’s online which I always thought would feel detached but, over time, I’ve got to know a lot of the members who I now class as friends. This Facebook group, The Fiction Café, is run by Wendy Clarke who is one of the nicest people I have met (and this group do physically get together for events when they can). I’m in awe of her and the admins who put in hours tirelessly running author live events and buddy read alongs. My only fault with this group is that every time I drop by I end up buying recommendations and my TBR pile is out of control!! If you’re a book lover of any genre do check them out here.

Also, a shout out to Book Connectors run by super blogger Anne Cater. This group is a mixture of bloggers, authors and readers and I love reading the bloggers book posts about forthcoming releases they have already had the chance to read. There’s also some interesting discussions about publishing in this group. Anne doesn’t stand for any nonsense and it feels like a very safe space to speak. You can find Book Connectors here.

My publisher HQ, Harper Collins, is currently hosting an online book club every Thursday afternoon. This Thursday I’m the featured author and will be talking about my newly published debut contemporary fiction book ‘The Life We Almost Had’ written under my penname Amelia Henley. With my research taking me from Lanzarote to Magdalen College in Oxford where I studied neuroscience there’s LOTS to talk about with this very unusual love story.

If you haven’t read the book yet you can buy it this week for 99p across all digital platforms – links below. If you buy the Kindle version (or have already bought it) you can add the audiobook for just £3.47.

Do give it a read and join my Thursday at 3pm GMT on my Facebook author page and I’ll be answering all your questions. Here’s a link to the prologue if you want a taster.

The Life We Almost Had‘ is currently 99p across all digital platforms during August. Download it from Amazon, iBooks, Kobo or Google.

You can preorder the paperback from Amazon or Waterstones prior to its 3rd September release or support your local bookstore. 

Choosing the right location for a novel – writing

An important decision any writer needs to make is where to set your novels. The right location can really highlight the genre and set the mood. There are advantages of using a genuine place; readers who are familiar with it can instantly place themselves in the location, and disadvantages; landscapes can change so quickly and if you get any of the details wrong this can be jarring.

For my early novels where locations didn’t matter to the story so I kept things deliberately vague, never naming a town or stating exactly where it was supposed to be. Name generators on Google were my friend although this almost backfired once after naming a village ‘Therinsborough’. My editor immediately flagged this with a ‘Didn’t you ever watch Neighbours, this sounds very close to Erinsborough, Louise….’

My latest two novels however, are a little different. For my forthcoming psychological thriller, ‘The Stolen Sisters’ I use the location where the Sinclair Sisters, Leah, Marie and Carly, are taken and held captive almost as another character. The description of the abandoned site where they are held adds another chilling layer to their story and really creates a dark atmosphere. To find the perfect location, I spent hours trawling through urban explorer sites and watching YouTube videos until I stumbled across the perfect place. Here I could envisage these three young sisters huddled together, cold and scared, but also telling stories and making up games to support each other through their ordeal. The stark, cold, decay of their rooms contrasting with the warmth of their loving relationship which shines through the pages. I’ll be sharing these real life photos closer to the 1st October publication.The idea for my debut contemporary fiction novel, ‘The Life We Almost Had’ came to me in Lanzarote. I was gazing out to sea and, in my imagination, I saw a shocking scene play out before my eyes, like a movie. Instantly I knew I had to write the unusual story I had imagined.I wanted to base the novel on Lanzarote but as this love story has a futuristic element I needed to build a Scientific Research Centre on the north of the island and so I renamed my island Alircia (although I still secretly call it Lanzarote). I use the blue skies and sparkling seas to paint a warm and loving picture. We’re with the couple as they fall in love and visit the tourist attractions that I also visited – (using a real location has the added bonus of research trips!) – the house of writer Jose Saramago, the lava caves, Jameos del Aguo, the markets and of course, the place where the story circles back to, the beautiful cove at Playa Blanca where couples fasten lovelocks.I was so utterly invested in Anna and Adam’s love story with a twist that I bought them a lovelock even before I had even put pen to paper.When Anna and Adam return to the UK things get drab and bleak, much like the weather. Life throws them on to an unexpected path. Both keeping secrets, they return to their beloved Alircia to try to fix their fractured relationship but a tragedy forces them apart. Will they take the ultimate risk for a second chance at their love.You’ll have to read the book to find out!

The Life We Almost Had‘ is currently 99p across all digital platforms during August. Download it from Amazon, iBooks, Kobo or Google.

You can preorder the paperback from Amazon or Waterstones or support your local bookstore. 

Pre-order ‘The Stolen Sisters’ here.

Both books are available as ebooks, audiobooks and paperbacks.

 

 

How do writers research? My top 10 tips!

 

One of the things that put me off writing a book for years (other than fear of failing, fear of making a fool of myself, fear of being terrible at writing and shattering my author daydreams) was the research. How did writers know all the things that went into their books? I guessed that high profile authors, perhaps had police contacts on speed dial to check out procedures but what about the rest of us? Those starting out? What happens when Google just doesn’t cut it?

Writing ‘The Sister’, I shied away from including anything I didn’t know much about which left…. very little content. I had to reach out to experts and the thought terrified me.

I remember, with clarity, the way my hands shook, palms sweated, as I made my first call to the fire department to ask for their advice (and no, I didn’t ring 999 claiming a plot emergency) tentatively explaining I was writing a book and wanted to be as accurate with the details as I could. I was told someone would call me back. Despondent I hung up, sure I’d never hear from anyone. Later that afternoon my phone rang, a man introducing himself as Chief Inspector and my heart skipped beat, certain I was about to be arrested for wasting time, but he was lovely and helped enormously. His advice changed the whole scene and he worked on the detail with me until we were both happy.

I realised then that most people are happy to talk about the things they have a passion for and knowledge of. Since ‘The Sister’ I’ve spoken to numerous people about various things – the concept of cellular memory for ‘The Gift’ (a heart retaining memories of its donor so the recipient knows things they shouldn’t…) Prospagnosia (Face Blindness) for ‘The Date’, surrogacy and law for ‘The Surrogate’, brainwashing for ‘The Family‘ and kidnapping for the forthcoming ‘The Stolen Sisters‘.

One of the most interesting things I have researched is neuroscience for my latest publication ‘The Life We Almost Had’ which is my debut contemporary fiction novel published under my pen name ‘Amelia Henley’. I’d become fascinated with consciousness and, for fun, I wanted to write a story set in current times but to expand on scientific elements for part of the plot (and yes I know this sounds vague but I don’t want to give spoilers).

I called up Magdalen College in Oxford and explained what I was doing and they invited me to sit in on some lecturers. I met some of the world’s leading experts in their field and I found it so enjoyable so much so that I’ve been looking into formally studying science in some capacity.

There’s a danger, when authors research, that they want to put everything they’ve learned into the story because they’ve spent so much time learning and because they’ve found everything so interesting and this is something I definitely had to bear in mind with ‘The Life We Almost Had.’ At it’s heart, it’s a sweeping love story and I often found myself cutting out technical explanations that I knew some readers would find boring, and getting back to Adam and Anna’s tangled relationship.

Writing ‘The Life We Almost Had‘ took me to Lanzarote where much of the story is based. Research trips are great fun sometimes so much so I forget to do the actual research…

Here are my top tips for researching: –

  • Take the time to choose who you think can best help you carefully, for instance there are many different types of lawyers, doctors etc.
  • Approach people respectfully – I never ask questions in my initial email but rather ask if they’d be willing to answer questions and I let them know roughly how many or how much time I think I’d need for a phone chat.
  • Don’t fire off the same email to dozens of people asking for help and waste people time if they all reply.
  • Plan ahead so you can continue writing while you wait for a response. Appreciate people are busy and they might not get back to you straight away.
  • Also make sure you have your questions ready before you ask for help. For the book I’m currently writing I emailed a charity, assuming that because of the pandemic they might not have the time or staff to get back to me at all and they called me five minutes later and I wasn’t prepared!
  • Don’t include everything you’ve learned however interesting, ask yourself ‘does the reader need to know this and does it move the plot forward’.
  • Blogs are a great place to find people who want to talk. I found many transplant patients this way who were happy to share their experiences with me.
  • Remember that although books are entertainment as a writer you are dealing with experiences that people have lived through. Be kind. Be sensitive.
  • Don’t assume everyone wants to be in the acknowledgements. After someone had helped me I mentioned in passing I’d thank them at the end of the book and they asked me not to as they didn’t want their boss to know they’d divulged information.
  • It’s okay to take artistic license to suit the story but I always state in my acknowledgements if I’ve done this (in ‘The life We Almost Had’ I credit a neuroscientist but mention I’ve had to progress science to fit my story.)

The Life We Almost Had‘ is currently 99p across all digital platforms during August. Download it from Amazon, iBooks, Kobo or Google.

You can preorder the paperback from Amazon or Waterstones or support your local bookstore. 

Find my psychological thrillers on Amazon here.

All books are available as ebooks, audiobooks and paperbacks.

The paperbacks I didn’t want to hold…

A couple of days ago my dreams came true when a big box arrived from Harper Collins publishers. I knew it was my debut love story, ‘The Life We Almost Had’ which publishes this July under the pen name ‘Amelia Henley’.

“But that’s not your name”, says Granger.

As this is a completely different genre for me my editor wanted to keep this strand of publishing separate to my thrillers (of which a new one, The Stolen Sisters, is coming soon…)

Usually, I’d unbox my books within seconds but, because of the virus, I cautiously left them by the front door until this morning.

The cover is beautiful and I couldn’t be prouder of this unusual love story featuring Adam and Anna, characters who will always stay with me. This novel is, in part, set on a Spanish Island based on Lanzarote which is one of my favourite places in the world. It’s a story of love, loyalty, hope and courage and asks how far you’d go for a second chance. The risk Anna takes could have potentially devastating consequences…

I’m thrilled that early reviews have been so positive and I can’t wait to get this story into the hands of readers. The ebook and audio will be published next month, with the paperback coming in September. All available to preorder now in the UK from Amazon here, or from your local bookshop.

Here’s the blurb: –

This is not a typical love story, but it’s our love story.

Anna wasn’t looking for love when Adam swept her off her feet but there was no denying their connection, and she believed they would be together forever.

Years later, cracks have appeared in their relationship. Anna is questioning whether their love can really be eternal when a cruel twist of fate delivers a crushing blow, and Anna and Adam are completely lost to one another. Now, Anna needs Adam more than ever, but the way back to him has life-changing consequences.

Is a second chance at first love really worth the sacrifice? Anna needs to decide and time is running out…

Cover reveal, publication day & a THANK YOU


It’s been a day for celebration today. I’ve been so excited to reveal the STUNNING cover for my forthcoming thriller, The Stolen Sisters. I’m incredibly proud of this story of the Sinclair Sisters and, although I’ll be sharing more about it in the forthcoming weeks, you can hear me talk a little about it in the video below. It will be published in the UK this October and is available to preorder now from all bookshops and you can find it on Amazon here. This is the blurb –

Three little girls missing. One family torn apart…

Leah’s perfect marriage isn’t what it seems but the biggest lie of all is that she’s learned to live with what happened all those years ago. Marie drinks a bit too much to help her forget. And Carly has never forgiven herself for not keeping them safe.

Twenty years ago these three sisters were taken. What came after they disappeared was far worse. It should have brought them together, but how can a family ever recover?

Especially when not everyone is telling the truth . . .

Meanwhile, in the US, it’s ebook publication day for The Family (paperback to follow early next year). I’m so excited for US readers to get to know Laura and Tilly and discover why the cult invited them in and why they’ll NEVER let them leave. You can download it from Amazon US here and if you’re a UK reader and haven’t yet got a copy, find it here. Here’s the blurb

Laura is grieving after the sudden death of her husband. Struggling to cope emotionally and financially, Laura is grateful when a local community, Oak Leaf Organics, offer her and her 17-year-old daughter Tilly a home.
 
But as Laura and Tilly settle into life with their new ‘family’, sinister things begin to happen. When one of the community dies in suspicious circumstances Laura wants to leave but Tilly, enthralled by the charismatic leader, Alex, refuses to go.
 
Desperately searching for a way to save her daughter, Laura uncovers a horrifying secret but Alex and his family aren’t the only ones with something to hide. Just as Laura has been digging into their past, they’ve been digging into hers and she discovers the terrifying reason they invited her and Tilly in, and why they’ll never let them leave…

 

It means such a lot to me to be able to write full time and it’s something I’m eternally grateful and never take for granted. My short message here explains why.

6 years writing – 10 books written – here’s what I’ve learned

 

Six years ago this month, following a drastic change in health circumstances, which had led to years of chronic pain, and clinical depression I knew for the sake of my mental health I needed to find a hobby. With limited mobility, there wasn’t much I could think of but then I remembered how much I’d loved writing as a child, how I’d had a burning desire to become an author until I was told at secondary school this wouldn’t be a viable career option.

I decided to try writing a short story.  Two characters came to mind, Grace and Charlie, lifelong best friends. The story begins with Grace digging up a memory box that the girls had buried several years before on Grace’s sixteenth birthday. Grace hopes to the box might contain a clue to explain Charlie’s last words before her mysterious disappearance – “I’ve done something terrible, please forgive me.”

My short story soon became 90k words of a (terrible at that stage) novel but I’d fallen in love with the girls, with their story of friendship and loyalty and courage and I rewrote and rewrote until it was ready to submit. I’m eternally grateful a publisher took a chance on my psychological thriller – The Sister – and turned my hobby into a full-time career.

Now, just six years on I am writing my tenth book. (Five have been published, two are due for publication this year and two for next year and I’m working on something new). I’ve sold well over a million copies, been translated into twenty-five languages, and although I can’t, of course, speak for every writer I wanted to share my opinions on some of the things I have learned along the way.

1)        Write the book you’d love to read. It’s so tempting to try and follow market trends and write a book you think has more of a shot of being published. Don’t. Market trends change so quickly you’ll always miss the boat. You spend such a long time with a manuscript I think if you’re writing something you genuinely love and are passionate about it shines through the finished product. Although my thrillers have been hugely successful I’ve also started writing high concept contemporary fiction in a different genre under the pen name ‘Amelia Henley‘ because I had a story in my heart I couldn’t let go. (You can read more about writing the story you want to rather than the story you should in a previous post, here)

2)        Don’t follow the rules. They are endless and who made them up anyway? Use common sense – if you write a 300k word romance it’s unlikely to be published but don’t be afraid to trust your gut. Prologues, for example, are often the source of much debate and I wrote a recent post on my opinion, which you can read here.

3)        Don’t compare yourself to others. This. Is. Soul. Destroying. (Not just in writing but in every aspect of life). There are always going to be people you aspire to and that’s a good thing but constantly comparing yourself to others is stressful and nothing stifles creativity like stress. The writer that’s shouting about a new deal on social media – be happy for them – your time will come and you don’t know what they are dealing with in their personal life. Rarely are things as glittery and shiny as they appear online. The writer that’s written 5k words today and is SO HAPPY – doesn’t affect your progress at all, it only changes the way you feel about it. Most writers I know write far quicker than me but it doesn’t matter. I write, on average 1000 words a day but I edit as I go (see No. 2 – I don’t follow rules) and am generally very satisfied with the quality I produce. Every word builds a sentence, every sentence a scene, every scene a chapter, and then, eventually, you’ll have a book. It isn’t a race.

4)        You won’t run out of ideas. This used to terrify me ALL OF THE TIME. I’d see writers online (and back to number 3 here) and worry that they have notebooks full of ideas and I had one – ONE – that I’d be working on. So far, when I’m coming to the end of a first draft, or shortly after, another idea will start to brew but until then I have no idea what I’ll write next. My brain can’t seem to cope with thinking of more than one thing at once and that’s okay. Ideas will come when you least expect it. (Read my previous post on ‘Where do ideas come from’ here.)

5)        Don’t force the words to come. We hear much in the writing rules (see no. 2) about how writing should be a ‘discipline’ and we ‘must’ write every day. To me this sounds like a punishment and writing above all else should be enjoyable. It is important to try and form a routine and not to wait until inspiration strikes (spoiler – it doesn’t always strike) but sometimes forcing yourself to sit in front of a blank page is demoralising. If I’m stuck on a plot point I step away from my computer. I go for a swim and 99% of the time the words will begin to flow again once I’ve had a break.

6)        Don’t sweat the small stuff. Punctuation and grammar. Here’s my confession (whispers) I don’t know what an abstract noun is or a concrete noun is or why I shouldn’t use them together. This was one of the first things a copy editor pointed out I was doing wrong. I’m still not entirely sure. I try hard with my drafts, I chuck the odd semi-colon in to prove I’ve made an effort but I get things wrong as we all do. It makes me sad when I receive emails from people telling me they want to write but they can’t because they are dyslexic or feel they are too uneducated and can’t get to grips with grammar and punctuation. Of course, polish your manuscript as much as you can but the MOST important thing is you have a good story to tell with strong characters. There are proofreaders, copy editors, beta readers, even friends and family who can help iron out any niggles. Don’t let worry about the final touches to a manuscript put you off writing one.

7)        Don’t become obsessed with the charts. If you’ve published a book it’s so tempting to be constantly hitting the refresh button to see where you chart on Amazon. Don’t.  Become. Obsessed. The Amazon charts are a complicated beast comprising of Kindle Unlimited, Prime Reading, Kindle Firsts etc. which all count towards chart positions so a high chart position doesn’t always necessarily equate to straightforward sales. Remember, stress stifles creativity.

8)        You can’t please every reader. If you’ve got a book out there you’re going to be tempted at some stage to read reviews and it’s human nature that you’ll gloss over the good ones and the bad ones will lodge in your mind. My debut, The Sister very quickly sold over half a million copies and I read every single review and tried to please every single one of those reviewers while I was writing my second book – The Gift. I sped up the pace, slowed down the pace, put in more twists, reduced the number of twists, tied myself in knots. You just… can’t.

9)        Celebrate EVERY LITTLE success. This is SO IMPORTANT. Remember, that writer on social media who is having the Best. Time. Ever. They’ve had knockbacks too. We all have. It’s an industry of unavoidable lows, which makes it even more important to appreciate every single good thing that happens. Those successes will keep you going through the inevitable low times and throughout those low times never lose hope. Things can turn around when you least expect it.

10)      Don’t be embarrassed to call yourself a writer. Don’t be ashamed to want to make a living out of it. This is something I struggled with enormously for a very long time. Looking at my shoes and mumbling vaguely whenever anyone asked what I did for a living. Be proud. Don’t use the term ‘aspiring writer’ if you write, you’re a writer. Also there’s a weird thing (and I’ve been guilty of it myself) where some writers feel they have to say they write for the love of it and not for financial recompense and while you do have to love writing to write there’s nothing wrong with ambition. I have a mortgage to pay and children to feed and this is how I chose to do it. You can read about the moment I finally felt like a ‘real’ writer here.

My latest psychological thriller – The Family – is currently 99p across all UK digital platforms. Download a copy from Amazon here (back to paying my mortgage and feeding my children…)

Thank you!

 

 

Novel Writing – Should you include a prologue? #WritingTips

 

I began writing my debut, ‘The Sister‘, for fun. It was meant to be a short story. I hadn’t written any fiction as an adult and I hadn’t any qualifications other than a clutch of GCSE’s. I never believed I could write a book. I had always thought that to be a published novelist you needed a wealth of experience and a degree in creative writing.

When it got to the point that my ‘short story’ had reached 90k words I began to tentatively hope I could edit it to a high enough standard where I’d dare to submit it. Out of my depth, I was so grateful when a writer I met at an event offered to read the opening 3 chapters for me. I didn’t check where she was published, or how she was published. The fact she was in print led me to believe she knew absolutely everything.

Her overriding feedback was that my prologue was a huge mistake, ‘”readers hate them, agents hate them and publishers hate them. If you submit something with a prologue it won’t be read.”

I felt my face burn with embarrassment. I didn’t know the rules and I’d been found out for the imposter that I was.

Immediately I deleted my prologue, but now, several books on and with over a million copies sold I’m familiar with most of the rules and (whispers) here’s the thing. There aren’t any.

That writer, as it turned out, was right that ‘The Sister‘ shouldn’t have a prologue, but not for the reasons she said.

The prologue wasn’t needed. It didn’t serve a purpose and in a novel, every single scene, every single word needs to earn its place, prologue included. After The Sister spent two months at No. 1 I found the confidence to include a prologue in my second psychological thriller, ‘The Gift‘, because no matter what that writer said about people hating prologues, I don’t and first and foremost I’m a reader. I don’t write one for every book because not every story warrants one.

So how do I decide when to use one? ‘The Family’ is my latest thriller and I’ll use it as an example, I’ve included the prologue below.  The Family is a book about brainwashing, about a mother, Laura, and her daughter, Tilly, who inadvertently find themselves joining a cult.  Laura realises there is something very dangerous about the situation they find themselves in but Tilly has already fallen for the charismatic leader, Alex, and doesn’t want to leave. It’s important for this story that we see how Laura and Tilly find themselves in such a terrible situation so this wasn’t going to be a story that flings you into action on the very first page.

I wanted to give the readers an indication that the pace will increase throughout the book.  The prologue begins in the future and then chapter one begins several months before this. We can initially see the horrifying situation Laura and Tilly are in and then we work back to see how they got there. I enjoy this set up as a reader, forming my own conclusions as to what’s going on and why. I wanted this novel to open with a question. For the readers to feel involved, part of ‘The Family’ from the beginning so when Laura and Tilly get sucked into this tight-knit, claustrophobic group they can feel themselves there too.

We can see, when we read the prologue below, that someone has been shot but who has been shot and who has shot them? I love nothing more than a mystery and it’s been such fun hearing reader’s theories at the beginning of the book and then their reactions at the end (nobody has guessed both parts correctly as yet…)

Prologues are a great tool for grabbing attention, giving background, creating a twist (as the mine below does), and for providing a hook. A question. Writing from a different point of view or a different time – past, present, or future, something that sets it apart from chapter one.

I asked my son once, who is an avid reader whether he read prologues as I was genuinely shocked to hear some readers don’t.

‘Of course,’ he said, ‘but I never bother with the things at the end. The epilogue.’

‘Why not?’ I was horrified.

‘Because I already know how the story ends,’ he said.

Not in my books. There is often, as there is with ‘The Family‘, a twist on the very last line in the epilogue, but how to end a story is another blog post entirely.

Download ‘The Family’ for only £0.99 as part of the Amazon kindle monthly deal here and read the prologue below.

 

 

 

The FamilyPrologue

NOW

LAURA 

It all unfolds with cinematic clarity; the gunshot, the scream. Every detail sharp and clear. Time slows as her eyes plead with me to help her. In my mind I bundle her behind me, shielding her body with mine, but she is too far away and I know I cannot reach her in time.

But still I try.

My legs are weighted with dread as I run towards her; the fist around my heart squeezing.

A second shot.

Her knees buckle. She crumples like a paper doll.

The ground falls away beneath my feet and I crawl to her like the animal I have become. My palms are sticky in the arc of blood that has stained the floor red. Blood is thicker than water they say, but hers is thin and beacon bright. Adrenaline pulses through me leaving numbness in its wake as I press against her wrist, desperately seeking a pulse. With my other hand I link my fingers through hers the way we used to before I brought us to this place that has been our ruin. A lifetime of memories strobe through my mind; cradling her close in the maternity wing; Easter eggs spilling out of the wicker basket looped over her pudgy arm; her first day of school, ribboned pigtails swinging as she ran across the playground.

She can’t be gone.

Can she?

Fingers of panic press hard against my skull. The colour leeches from the room. A black and white hue descending upon me. I tighten my fingers around hers, afraid I’m going to faint. Afraid I’m going to let her go.

But then.

A flicker of eyelids. A murmur from her lips.

I lay next to her, gently rolling her towards me, cradling her in my arms. I can’t, I won’t leave her. Family should stick together. Protect each other. Instead, I chose to come here.

This is all my fault.

The drumming in my head grows louder – the sound of footfall. I don’t have to look up to feel their anger, solid and immovable.

The acrid smell of gunpowder hangs in the air along with my fear.

Looking up, my eyes meet the shooter’s, they are still holding the gun and sensations return, hard and fast. The pain in my stomach is cutting and deep and I am no longer sure if the blood I am covered in has come from her.

Or is coming from me.

Her top is soaked crimson, as is mine.

The pain increases.

Terrified, I tug at her clothes, my clothes, searching for the wound. Praying. Let her be okay. Seventeen is no age. Let it be me.

At last I find the small hole where the bullet has torn through flesh but before I can apply pressure to stem the flow of blood there are hands on my shoulders. My elbows. Pulling. Pulling.

Darkness flickers at the edge of my vision but still I fight against it. I fight against them.

My feet kick out, my teeth sink into flesh, but it’s fruitless. I am growing weaker.

Her fingers twitch. Once. Twice.

Nothing.

‘Tilly!’ My scream rips through me as I am yanked to my feet. ‘Tilly!’ I scramble for traction, every fibre of my being straining to reach my daughter.

I can’t.

I am still wrestling to be free as I am dragged, my feet scraping the ground.

But I know they’ll never let us leave here now.

Not alive anyway.

 

Download ‘The Family’ for only £0.99 as part of the Amazon kindle monthly deal here.

Lockdown – How my reading & writing habits have changed – #AuthorLife

Laura & Tilly are confined to their cult

My latest thriller is called ‘The Family’. It’s the story of Laura and her daughter, Tilly, who are indoctrinated into a cult. It’s set in a remote part of Wales and at the time of writing I had to rely on my imagination to put myself inside the heads of Laura and Tilly. How might they feel to lose their freedom, almost overnight? To be confined to the farmhouse and the surrounding land the cult reside in? To be forced to spend each and every day with exactly the same people? I crafted my story with the sense of feeling trapped, of claustrophobia.

Laura’s and Tilly’s tale, as well as being terrifying is also an emotional one so every now and then I’d step away from my computer and out into the bright sunshine. Meet friends for lunch. Go for a swim. Before returning to Laura and Tilly who were still trapped in the same place, with the same people.

Now of course, in these unsettling and uncertain times we live in it isn’t too much of a stretch to empathise with Laura and Tilly. To feel what they are feeling, and as someone who suffers with acute anxiety these feelings are both uncomfortable and unwelcome.

At the start of lockdown I couldn’t concentrate. I couldn’t read. I certainly couldn’t write.  At best I felt a constant low-level anxiety: scared for my family and friends; daunted by homeschooling; worried about our income, a shortage of food; the list was endless: at worst I felt a heavy dread which rendered me unable to focus.

Like everyone, I have been through tough times before so I did what I always do, increased my mindfulness practice. Meditating three times a day instead of once. Writing in my gratitude journal each morning and night instead of solely before bed, and gradually my tumultuous emotions began to settle.

I began to read again, choosing, not one of the many proof thrillers I am sent, but carefully selecting something that wouldn’t feel like work. I picked Louise Hare’s ‘This Lovely City,’ and for the first time, in a long time, my reading mojo came back. I lost myself in her story, her characters and for a while, I was able to forget, and that’s what a good book can do – transport you somewhere else entirely. Now I’ve started Tom Ellen’s ‘All About Us,’ which I’m equally enjoying.

My cosy reading corner in my study

I itched to write again, but what? I am waiting for my edits for my thriller which is publishing next year and also for my second contemporary fiction story written under the pen name ‘Amelia Henley.

My desk is (mostly) tidy…

The logical part of me knew I should write another thriller. Until my debut contemporary fiction book ‘The Life We Almost Had’ is released in July I don’t know whether there will be a market for future Amelia Henley books but as always, I had to follow my heart and write the story I’d loved to read. A story, as my Amelia Henley stories are, about love and relationships. I began penning the lives of siblings Charlie, Nina and Duke and their complex and complicated relationship. Whether this book will ever find its way into the hands of readers I don’t know but I’m loving writing it and finding that chink of happiness is so important right now.

Later in the year I’ll begin a new thriller, I’ve had a character in my mind for the past couple of years. I feel so extraordinarily blessed I can create worlds to escape to.

Have your reading habits changed and how are you occupying your time? Do let me know in the comments below.

The Family’ is currently part of the UK Kindle Monthly Deal – download a copy today for just 0.99p.

The Family‘ will be published in the US on June 9th – you can preorder it here. I’m loving the fabulous cover Grand Central Publishing have designed!

My chilling US cover