RAF Upwood – the real life location behind ‘The Stolen Sisters’.

Locations can be hugely important to a book. My first four psychological thrillers were based in fabricated towns in the midlands because the place wasn’t relevant to the story, my fifth, ‘The Family’ in a cult in Wales because I needed a vast amount of rural space and I was very familiar with this area. ‘The Life We Almost Had’ my debut love story takes place on a Spanish Island based on Lanzarote.

For my 7th and latest book I needed somewhere specific. Somewhere remote and yet not too far out of a town. Somewhere creepy. Somewhere you could feasibly hide three young girls…

I’m obsessed with exploring abandoned buildings and my children are the same. If we want a day out we’d much rather go and look around a ruin, and so the hunt was on for somewhere to base ‘The Stolen Sisters’. In this book the Sinclair sisters are snatched during chapter one. In chapter two we find out they had been returned unharmed with no sexual abuse (it was the only way I could bear to write this). Chapters in the book alternate between past and present and in the past we needed to feel the girls fear, the tension and the way to build on this was to use the setting almost as another character.

I considered, and disregarded multiple locations before I stumbled upon RAF Upwood. It was everything I wanted it to be. Close enough to take the girls there in a relatively short space of time.  Vast enough for the girls to get lost when they escape their room. Remote enough so no-one can hear them scream…

I renamed Upwood, RAF Norwood for the story and like Upwood, in my book Norwood was fenced off, waiting to be demolished for a housing estate (Upwood has now partly been knocked down.) Hyde Housing were very accommodating, allowing me to look around and film. I also staged rooms where the girls might be held, with the scant possessions they were given, to try and really get a feel for the horror Leah, Marie and Carly Sinclair might have felt.

It was surreal being at Upwood. Kind of like being on a film set for a movie version of ‘The Stolen Sisters’.

This clown was really the start of everything. I imagined it being on the back of the door, terrifying the young girls, the sense of his eyes watching them every time they try to escape the room. I was never afraid of clowns until I wrote this book, now…

The corridors have so many doorways coming off them, imagine how terrifying it would be to be chased, to choose a doorway, and find yourself trapped in another dark room.

There is a scene in the book where the girls hang from these bars hoping they can pull them free from the window. They can’t.

Carly is running with her two younger sisters, she hears the men coming, does she hide upstairs or try to make it to the door?

I set up a camp in one of the rooms with Leah’s teddy bear, the blanket and the food and drink the girls were given. It was horrible

There is a terrifying scene that takes place in the shower block. Thanks to my visit I was able to describe the environment, but the smell! I could never describe the smell.

The site is absolutely vast. Imagine running around here at night with no lights. Shudder.

Some of the graffiti here is so impressive.

Everywhere I turned I spotted potential danger for the girls.

In a bid to escape, Leah dropped her teddy bear, it was heartbreaking to think of it left the RAF base amongst the rubble.

The Stolen Sisters is currently 99p for a limited time only across all digital platforms. You can find The Stolen Sisters on Amazon, iBooks, Kobo, Google books & Waterstones.

It’s also a Fern Britton book club pick and a special edition with extra content is available at Tesco. You can also find ‘The Stolen Sisters’ at Asda, shortly at Sainsbury’s and as an audiobook on Audible.

A second chance at novel writing – What would you wish for?

In my debut love story with a twist, Adam and Anna can’t envisage life without each other but the universe has entirely different plans for them. After a tragedy forces them apart they long to be together once more and fix their damaged relationship. ‘The Life We Almost Had’ is a story of hope, regret, courage and loyalty and explores the immeasurable lengths the couple will go to for a second chance at first love, even when the consequences of finding each other once more are potentially life shattering. This is not a typical love story but sometimes, just sometimes, the seemingly impossible can become possible in the most unexpected way.

Publishing this book is a dream come. As a child I longed to be an author. I was obsessed with mysteries, devouring Enid Blyton’s Famous Five and Secret Seven books, writing my own series called ‘The Fantastic Five’ (**not copied at all**) and illustrating them with stick men drawings. It was when I read Little Women though that my vague hope to be published transmuted into a fierce desire. I wanted to take readers through the spectrum of emotions I had felt when reading Louisa May Alcott’s classic. I wanted readers to root for my characters, to celebrate their highs but more than any of that, I wanted to make them cry. My reviews so far have been stunning. Readers have really fallen for Adam and Anna in a big way, loving them as much as I do, and have thankfully been fascinated by the unusual concept.

It almost didn’t happen.

I remember with clarity, sitting in front of my careers advisor at school, holding out my dreams, hoping she’d help me make them come true.

She didn’t, and worse than that she laughed. People like me didn’t become writers apparently. I had no higher education. No contacts in publishing. It would be impossible for me to break into the world I longed to be part of and even if I did, she told me I would never be able to earn a living from it.

I carried my shattered dreams and my shattered heart outside and although I didn’t initially just give up, I was at a loss to know how to fulfil my ambition. There wasn’t the internet then to research the steps I could take. I asked in libraries, bookshops, colleges. I did everything I could… except actually write a book which seemed fruitless.

It was over twenty years later that my life changed in an instant. A car accident exacerbated a pre-existing health condition, as well as causing new damage, and I could no longer weight bear, reliant on a wheelchair and crutches to move around. Chronic pain was my constant companion and it didn’t take long for clinical depression to set in too. As well as losing my mobility I lost my identity, I wasn’t sure who I was, what I could do. I had spent years building a career which had fallen apart.

It was my spinal consultant who suggested I get a hobby. Try to forge a new life. Initially I couldn’t think of what I could do, my previous pastimes of horse riding and running no longer possible but then I remembered how much I used to love writing and tentatively I put pen to paper.

Writing Adam and Anna has been cathartic. It’s a hugely emotional story and through the characters, I’ve worked through many of my own complicated feelings – letting go of the life I almost had, and embracing the one I have.

My mobility will never be the same as it was, second chances sometimes come at a price, as Adam and Anna discover during the story, but I’m so glad I got one, being a full time author really is a dream come true.

If you could have a second chance at something, what would it be?

The Life We Almost Had‘ is currently 99p across all digital platforms. Download it from Amazon, iBooks, Kobo or Google.

As well as on Amazon, you can find the paperback in Tesco, or Waterstones or support your local bookstore. Book stores are always happy to order in a title they don’t have in stock.

Prologue – The Life We Almost Had

I do love a prologue (and writers you can read my previous post on whether to include one in your book here).

I’m delighted to share the opening of my debut contemporary fiction novel, ‘The Life We Almost Had,’ published under the pen name ‘Amelia Henley.’ I’ve absolutely loved writing Anna and Adam’s love story with a twist. (You can find it on Amazon here for just 99p right now).

 Prologue

Seven years. It’s been seven years since that night on the beach. I had laid on the damp sand with Adam, his thumb stroking mine. Dawn smudged the sky with its pink fingers while the rising sun flung glitter across the sea. We’d faced each other curled onto our sides, our bodies speech marks, unspoken words passing hesitantly between us; an illusory dream. Don’t ever leave me, I had silently asked him. I won’t, his eyes had silently replied.

But he did.

He has.

My memories are both painful and pleasurable to recall. We were blissfully happy until gradually we weren’t. Every cross word, every hard stare, each time we turned our backs on each other in bed gathered like storm clouds hanging over us, ready to burst, drenching us with doubt and uncertainty until we questioned what we once thought was unquestionable.

Can love really be eternal?

I can answer that now because the inequitable truth is that I am hopelessly, irrevocably, lost without him.

But does he feel the same?

I turn the possibility of life without Adam over but each time I think of me without him, no longer an us, my heart breaks all over again.

If only we hadn’t…

My chest tightens.

Breathe.

Breathe, Anna. You’re okay.

It’s a lie I tell myself but gradually the horror of that day begins to dissipate with every slow inhale, with every measured exhale. It takes several minutes to calm myself. My fingers furling and unfurling, my nails biting into the tender skin of my palms until my burning sorrow subsides.

Focus.

I am running out of time. I’ve been trying to write a letter but the words won’t come. My notepaper is still stark white. My pen once again poised, ink waiting to stain the blank page with my tenuous excuses.

My secrets.

But not my lies. There’s been enough of those. Too many.

I am desperate to see him once more and make it right.

All of it.

I wish I knew what he wanted. My eyes flutter closed. I try to conjure his voice. Imagining he might tell me what to do. Past conversations echo in my mind as I search for a clue.

If you love someone, set them free. He had once told me but I brush the thought of this away. I don’t think it can apply to this awful situation we have found ourselves in. Instead I recall the feel of his body spooned around mine, warm breath on the back of my neck, promises drifting into my ear.

Forever.

I cling on to that one word as tightly as I’d once clung on to his hand.

I loved him completely. I still do. Whatever happens now, after, my heart will still belong to him.

Will always belong to him.

I must hurry if I’m going to reach him before it’s too late. There’s a tremble in my fingers as I begin the letter which will both an apology and an explanation, but it seems impossible to put it all into words – the story of us. I really don’t have time to think of the life we had – the life we almost had – but I allow myself the indulgence. Memories gather: we’re on the beach watching the sunrise; I’m introducing him to my mum – his voice shaking with nerves as he said hello; we’re meeting for the first time in that shabby bar. Out of order and back to front and more than anything I wish I could live it all again. Except that day. Never that day.

Again the vice around my lungs tightens. In my mind I see it all unfold and I feel it. I feel it all; fear, panic, despair.

Breathe, Anna.

In and out. In and out. Until I am here again, Pen gripped too tightly in my hand.

Focus.

I made a mistake.

I stare at the words I have written so intently that they jump around on the page. I’m at a loss to know how to carry on when I remember one of the first things Adam had said to me ‘start at the beginning, Anna.’

And so I do.

Speedily, the nib of my pen scratches over the paper. I let it all pour out.

This is not a typical love story, but it’s our love story.

Mine and Adam’s.

And despite that day, despite everything, I’m not yet ready for it to end.

Is he?

The Life We Almost Had‘ is currently 99p across all digital platforms during August. Download it from Amazon, iBooks, Kobo or Google.

You can preorder the paperback from Amazon or Waterstones or support your local bookstore. 

 

Novel Writing – Should you include a prologue? #WritingTips

 

I began writing my debut, ‘The Sister‘, for fun. It was meant to be a short story. I hadn’t written any fiction as an adult and I hadn’t any qualifications other than a clutch of GCSE’s. I never believed I could write a book. I had always thought that to be a published novelist you needed a wealth of experience and a degree in creative writing.

When it got to the point that my ‘short story’ had reached 90k words I began to tentatively hope I could edit it to a high enough standard where I’d dare to submit it. Out of my depth, I was so grateful when a writer I met at an event offered to read the opening 3 chapters for me. I didn’t check where she was published, or how she was published. The fact she was in print led me to believe she knew absolutely everything.

Her overriding feedback was that my prologue was a huge mistake, ‘”readers hate them, agents hate them and publishers hate them. If you submit something with a prologue it won’t be read.”

I felt my face burn with embarrassment. I didn’t know the rules and I’d been found out for the imposter that I was.

Immediately I deleted my prologue, but now, several books on and with over a million copies sold I’m familiar with most of the rules and (whispers) here’s the thing. There aren’t any.

That writer, as it turned out, was right that ‘The Sister‘ shouldn’t have a prologue, but not for the reasons she said.

The prologue wasn’t needed. It didn’t serve a purpose and in a novel, every single scene, every single word needs to earn its place, prologue included. After The Sister spent two months at No. 1 I found the confidence to include a prologue in my second psychological thriller, ‘The Gift‘, because no matter what that writer said about people hating prologues, I don’t and first and foremost I’m a reader. I don’t write one for every book because not every story warrants one.

So how do I decide when to use one? ‘The Family’ is my latest thriller and I’ll use it as an example, I’ve included the prologue below.  The Family is a book about brainwashing, about a mother, Laura, and her daughter, Tilly, who inadvertently find themselves joining a cult.  Laura realises there is something very dangerous about the situation they find themselves in but Tilly has already fallen for the charismatic leader, Alex, and doesn’t want to leave. It’s important for this story that we see how Laura and Tilly find themselves in such a terrible situation so this wasn’t going to be a story that flings you into action on the very first page.

I wanted to give the readers an indication that the pace will increase throughout the book.  The prologue begins in the future and then chapter one begins several months before this. We can initially see the horrifying situation Laura and Tilly are in and then we work back to see how they got there. I enjoy this set up as a reader, forming my own conclusions as to what’s going on and why. I wanted this novel to open with a question. For the readers to feel involved, part of ‘The Family’ from the beginning so when Laura and Tilly get sucked into this tight-knit, claustrophobic group they can feel themselves there too.

We can see, when we read the prologue below, that someone has been shot but who has been shot and who has shot them? I love nothing more than a mystery and it’s been such fun hearing reader’s theories at the beginning of the book and then their reactions at the end (nobody has guessed both parts correctly as yet…)

Prologues are a great tool for grabbing attention, giving background, creating a twist (as the mine below does), and for providing a hook. A question. Writing from a different point of view or a different time – past, present, or future, something that sets it apart from chapter one.

I asked my son once, who is an avid reader whether he read prologues as I was genuinely shocked to hear some readers don’t.

‘Of course,’ he said, ‘but I never bother with the things at the end. The epilogue.’

‘Why not?’ I was horrified.

‘Because I already know how the story ends,’ he said.

Not in my books. There is often, as there is with ‘The Family‘, a twist on the very last line in the epilogue, but how to end a story is another blog post entirely.

Download ‘The Family’ for only £0.99 as part of the Amazon kindle monthly deal here and read the prologue below.

 

 

 

The FamilyPrologue

NOW

LAURA 

It all unfolds with cinematic clarity; the gunshot, the scream. Every detail sharp and clear. Time slows as her eyes plead with me to help her. In my mind I bundle her behind me, shielding her body with mine, but she is too far away and I know I cannot reach her in time.

But still I try.

My legs are weighted with dread as I run towards her; the fist around my heart squeezing.

A second shot.

Her knees buckle. She crumples like a paper doll.

The ground falls away beneath my feet and I crawl to her like the animal I have become. My palms are sticky in the arc of blood that has stained the floor red. Blood is thicker than water they say, but hers is thin and beacon bright. Adrenaline pulses through me leaving numbness in its wake as I press against her wrist, desperately seeking a pulse. With my other hand I link my fingers through hers the way we used to before I brought us to this place that has been our ruin. A lifetime of memories strobe through my mind; cradling her close in the maternity wing; Easter eggs spilling out of the wicker basket looped over her pudgy arm; her first day of school, ribboned pigtails swinging as she ran across the playground.

She can’t be gone.

Can she?

Fingers of panic press hard against my skull. The colour leeches from the room. A black and white hue descending upon me. I tighten my fingers around hers, afraid I’m going to faint. Afraid I’m going to let her go.

But then.

A flicker of eyelids. A murmur from her lips.

I lay next to her, gently rolling her towards me, cradling her in my arms. I can’t, I won’t leave her. Family should stick together. Protect each other. Instead, I chose to come here.

This is all my fault.

The drumming in my head grows louder – the sound of footfall. I don’t have to look up to feel their anger, solid and immovable.

The acrid smell of gunpowder hangs in the air along with my fear.

Looking up, my eyes meet the shooter’s, they are still holding the gun and sensations return, hard and fast. The pain in my stomach is cutting and deep and I am no longer sure if the blood I am covered in has come from her.

Or is coming from me.

Her top is soaked crimson, as is mine.

The pain increases.

Terrified, I tug at her clothes, my clothes, searching for the wound. Praying. Let her be okay. Seventeen is no age. Let it be me.

At last I find the small hole where the bullet has torn through flesh but before I can apply pressure to stem the flow of blood there are hands on my shoulders. My elbows. Pulling. Pulling.

Darkness flickers at the edge of my vision but still I fight against it. I fight against them.

My feet kick out, my teeth sink into flesh, but it’s fruitless. I am growing weaker.

Her fingers twitch. Once. Twice.

Nothing.

‘Tilly!’ My scream rips through me as I am yanked to my feet. ‘Tilly!’ I scramble for traction, every fibre of my being straining to reach my daughter.

I can’t.

I am still wrestling to be free as I am dragged, my feet scraping the ground.

But I know they’ll never let us leave here now.

Not alive anyway.

 

Download ‘The Family’ for only £0.99 as part of the Amazon kindle monthly deal here.

3 years in publishing, 10 lessons I’ve learned

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This week marks three years since my debut, The Sister, was published. There was no gentle easing into the publishing industry because, and I am eternally grateful – my first novel soon rose to No. 1 in various countries, spending almost the entire summer in the top spot in the UK. It quickly sold over half a million copies and was snapped up for translation by twenty-five territories, nominated for the Goodreads best debut award, and became the sixth biggest selling book on Amazon in 2016.  As lovely as all this was – and it was – there was no time to sit back and enjoy it, the pressure was on to finish writing my second book, The Gift.

Fast forward to now, over a million sales later, and publication of my fifth thriller, The Family is imminent and yet I still feel as though I’m finding my feet. Often overwhelmed with the thought of having to write more books and yet heartbroken at the thought that one day I might not be in the fortunate position of writing full time. Creating stories is my passion, my reason for getting up in the mornings but, sometimes (generally during a first draft) the cause of my insomnia. Thoughts of ‘how can I make my next book better than my last’ all-consuming.

I have a sense that I know nothing about writing, about publishing and yet I know infinitely more than I did and these are the ten lessons I try to bear in mind.

  • There are readers who will love my story. No matter how daunting it is releasing a new book into the wild, I write stories I would love to read myself and it stands to reason that if my story is one I would love to read, someone else will love it too.
  • There are readers who will hate my story. Negative reviews are inevitable. It doesn’t mean – as I once thought – I should stop writing books because Sandra from Basingstoke doesn’t like them. Not every book will resonate with every reader.
  • The pressure I have felt has been the pressure I have burdened myself with. My agent, my publisher, my readers want future books but no one is chaining me to my desk and forcing me to write (note – that might make a good plot)
  • The world will not stop turning if I don’t ever write another book. My world would be darker, sadder, but if I couldn’t think of a single plot again it really wouldn’t cause the sun to explode.
  • Some books are easy to write. My third – The Surrogate – literally fell from the sky on to the page and I thought I’d finally found the magic formula.
  • Some books are impossibly difficult. My fourth book – The Date – took several false starts and was shoved into the bottom of my drawer multiple times.
  • Social media sometimes brings me down – if I’ve had an unproductive day I avoid twitter as I know that seeing other writers ‘I’ve written thousands of words since breakfast’ posts leave me feeling inferior.
  • My editor is mainly right. Mainly. Not always. Ultimately it is my name on the cover and if I feel strongly that a suggested change is wrong for my characters I will stand up for them. It’s a suggested change, not the law. That said I’m so lucky to have an editor and I’d be a fool to ignore her expertise. A fool!
  • EVERY writer has highs and lows but it’s often only the highs you hear about. No matter what level of success someone has there are still disappointments. Still times the words won’t flow. Self-doubt is ever-present for most creatives. I don’t think that ever fully disappears and nor do I think it should.
  • A dip in sales does not mean the end of a career. Some books sell more than others, some books gain better reviews. All I can do is set out to write my best book every time and never become complacent. I love what I do and I never forget how fortunate I am.

I’ll be giving away some signed copies of The Sister this week so do follow me on my Facebook page for a chance to win one.

 

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The joy I felt holding my first book is something I shall never forget

 

Never underestimate the power of a story – My thoughts on genre snobbery

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Recently I had lunch with a fellow psychological thriller writer who was sharing the plot of their current work in progress.

‘That sounds brilliant,’ I said.

They shrugged. ‘It’s not going to change the world or anything, is it? I know I just write cheap entertainment.’

Immediately I pulled out my phone and shared an email I’d received a few days previously.

Dear Louise,

It’s 5am and I’ve just finished reading ‘The Sister.’ I LOVED it so much I thought I’d google you and when I read you were a fellow chronic pain sufferer, and you’d written much of your story throughout the night, I just had to reach out to you. I can so relate to the fact you sometimes use stories to get you through the night, I’m exactly the same but as a reader, not a writer. I’ve had a chronic condition for three years now and although I’d like to say I’m used to it, I’m not. During the day, my pain is manageable. Sometimes a friend drops in although their visits are becoming more and more infrequent as it becomes apparent I’m never going to ‘get better.’ The nights though are different. Long and lonely. I’m too uncomfortable to sleep for long periods and this is the time I feel sorry for myself and sometimes question what the point is to me anymore and my thoughts become really morbid. This is when I open a book and escape. If it weren’t for stories I honestly don’t know where I’d be right now. The characters become my friends. I become so invested in them I stop thinking about myself and worry about them instead. Their world becomes my world, and before I know it, the sun has risen and I’ve made it through another night. It’s such a talent to be able to draw a reader in and I want to thank you for writing books. I honestly don’t know where I’d be without them. Keep at it!

Genre snobbery exists, I know – as a crime writer I’ve experienced it. But I don’t think one genre is better than another. It’s such a privilege as an author to create a world that allows someone whose own world is full of sadness and pain, to escape if only for a short time.

If you’re writing a story and someone asks about it, please don’t say ‘it’s only…’ because you never know when your book might change a life, or save a life.

All fiction can lift and heal. Words can illuminate the dark.

Giveaway! Signed copies of The Date!

**GIVEAWAY IS NOW CLOSED**

CONGRATULATIONS TO THE WINNERS (PICKED BY MY SON) OF RACHEL GILBERT FOR THE WORST DATE AND SUE BARTON FOR THE BEST

Firstly, a huge thank you for all the support for my latest psychological thriller centered around Face Blindness, The Date. Since its summer release I’m thrilled that it very quickly sold in excess of 100,000 copies, was nominated for The Guardian’s ‘Not the Booker Prize’ and to now learn that it is in the top 10 biggest selling books on Apple’s iBook store this year is phenomenal, particularly since it wasn’t released until halfway through the year.

The mass market paperback doesn’t hit the shops until next Spring, but as it’s Christmas I thought I’d give away a couple of signed and dedicated copies, along with postcards and bookmarks. If you already have the ebook or have listened to the audiobook, this could make a perfect gift for a friend.

To enter please comment below with either your best or worst date. Competition will run until Tuesday 11th.

Good luck!

Louise X

Here’s the blurb: –

One night can change everything.

‘I know it as soon as I wake up and open my eyes… Something is wrong.’

Her Saturday night started normally. Recently separated from her husband, Ali has been persuaded by her friends to go on a date with a new man. She is ready, she is nervous, she is excited. She is about to take a step into her new future. By Sunday morning, Ali’s life is unrecognisable. She wakes, and she knows that something is wrong. She is home, she is alone, she is hurt and she has no memory of what happened to her.

Worse still, when she looks in the mirror, Ali doesn’t recognise the face staring back at her

You can also find The Date on your local Amazon here.

Book trailer reveal!

Ali thought there was nothing as frightening as being unable to recognise faces… She was wrong.

I’m so pleased to reveal the trailer for my forthcoming release, The Date, which you can preorder from your local Amazon, here. 

Over the next 7 weeks I’ll be sharing why I decided to write a story about face blindness, as well as giving away signed paperbacks and bookmarks. I can’t wait!

A day in the life of…Dr. Carol Cooper

 

 

Today on my blog I welcome Carol Cooper. I’ve got to know Carol via social media and she always seems incredibly busy with so many things, I’m curious as to when she carves out time to write. Let’s find out…

My working life is varied and no two days are the same, but I usually wake up about 7 a.m. unless I’m on breakfast TV. I’m not that sharp in the mornings, so it’s just as well when I can sit in bed for a bit to catch up with social media and sip coffee made by my husband.

I’ve been a hospital doctor, GP partner, and a locum, but nowadays seeing patients is a very small part of my work. I now get more of a buzz from teaching medical students at Imperial College, which means getting to west London by 9 a.m. on some days.

My students are usually fifth or sixth years, so they’re very nearly qualified doctors and already have a vast store of knowledge which they haven’t yet started to forget… I lead small workshops, and it’s my job to help students deal with a range of challenging scenarios. We often use actors as simulated patients. In fact, just such an actor appears in my novel Hampstead Fever, but she’s entirely a product of my imagination. I’d never, ever, put real colleagues, students, or patients in a novel. It’s totally taboo – a bit of a shame, I sometimes think, as I’ve met some wonderful characters.

The teaching session ends around 1 p.m or 1.30 p.m., in time for a bite to eat. In the afternoon, I try to do some writing. I’ve been the doctor for The Sun newspaper for 18 years, which means I can get asked for my say on whatever health story hits the news, be it a radiation spill or a celeb with an injury from stumbling out of a nightclub at 4 a.m. My contribution is usually a short My View, written on the hoof. I well remember an editor asking me for 300 words on the dangers of drinking petrol, adding, “You’ve got bags of time. Take 45 minutes if you need it.” The job keeps me on my toes, and I love it. I never know what’s coming at me next, so it’s just like being a doctor in Accident & Emergency but without getting my hands dirty.

At the moment, I’m working on my third novel. My first two are contemporary fiction with multiple viewpoints, and they’re all about dating and family life in London. The current WIP is a bit of a departure. Although it still focuses mainly on relationships, it has just one viewpoint, covers several periods of time, and is set mostly in Egypt, where I grew up. I often have a non-fiction book to write or co-author at the same time, but this novel needs a tad more research than most of my fiction, so I’m concentrating on just the one book.

I say ‘concentrating’, but my willpower evaporates when it comes to Facebook, Twitter, or Instagram.

On some days, there might be a radio interview or television appearance, such as ITV This Morning. It’s usually on a topical health issue, or on parenting. I’ve written a slew of child health books, including two on raising twins.

My own three sons have grown up and flown the nest, but one or other of my twins might drop in (my eldest son lives in Birmingham so I see him less often). Evening is a lovely time to sit on the terrace with a glass of something with my husband Jeremy, and rearrange the plants or just watch the sun set. If we’re in Cambridge, we’ll go down to the river for a stroll. Jeremy usually cooks supper. I think he’s the better cook.

On some evenings, I give talks to expectant parents of twins and triplets. I’m an honorary consultant to Tamba (Twins and Multiple Births Association), and involved with a couple of other charities as well, including Lucy Air Ambulance for Children, and APEC (Action on Pre-Eclampsia).

Fortunately I don’t have to work as hard as I did when I was a hospital doctor (in the bad old days, it could be 80 hours a week), and I enjoy seeing friends, especially at evenings and weekends. Some of my close friends go back to my childhood or to uni days, but many are fellow authors that I’ve met more recently. Book-writing is a more welcoming world than a lot of people imagine, and I’ve made good friends.

I often read a novel in bed before I drop off, and I always have pencil and paper on hand in case I have a bright idea in the night. Too bad I can’t always decipher my notes in the morning.

WOW. Don’t think I’ll complain about being too busy again. Thanks so much for sharing, Carol. 

Now you can get Hampstead Fever as an ebook for just 99p from October 14 for two weeks.

Carol Cooper is a doctor, journalist, and author, living in London and Cambridge. She contributes to The Sun newspaper and broadcasts on TV and radio. After a dozen non-fiction books, including an award-winning textbook of medicine, she turned to fiction with her debut novel. One Night at the Jacaranda follows the fortunes of a motley group of 30-somethings who, looking for love, find themselves. Her second novel Hampstead Fever focuses on six North Londoners grappling with life and relationships while their emotions boil over in the summer heat. This year, Hampstead Fever was picked for a prestigious promotion in WH Smith travel bookshops around the UK. Carol enjoys gardening on her patio. She’d probably have other hobbies too if she didn’t love writing so much.

You can follow Carol’s blog Pills & Pillow-Talk, or find out more about her writing on her website. She’s also happy to connect on Twitter, Facebook, Instagram, and Pinterest.

 

The Gift is the 3rd biggest selling ebook of 2017!

A super quick post to say a huge thank you to everyone who has read, recommended and reviewed The Gift.

I’m stunned and delighted my second book has been named in Amazon’s half yearly trends report as the 3rd biggest selling ebook of 2017 so far. As The Gift was released in 2016 I never dreamed it would get a mention at all. It was a lovely surprise. It’s been a phenomenal year and I’m really so grateful.

Thank you x