Book Review – The Swap – Fiona Mitchell

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Ever since I read The Maid’s Room, which I gushed about here, I’ve been waiting eagerly for Fiona Mitchell’s second book, The Swap.

And oh how it was worth the wait! Fiona has crafted an emotive and credible read centred around Tess who, during her IVF treatment, had her embryo mistakenly swapped for a stranger’s. For two years Tess and Annie, the other woman, have been unknowingly raising each other’s children.

Tess has never bonded with her son, Freddie, so when she meets Annie’s daughter, Willow, she’s determined she and Annie swap their children back. But Annie won’t let go of Willow without a fight.

Harrowing in parts, but uplifting in others, Fiona keeps the pace constant, never letting the story become pulled down by legal jargon, although it is obvious she’s carried out much research. For the last half an hour of reading, I was literally holding my breath. How could this story ever reach a satisfying conclusion, given its challenging subject matter? You’ll have to read it to find out but I thought the ending was absolutely perfect.

The Swap is deeply moving and beautifully written.  Although we’re only in January this will likely be my top read for 2019. I can’t recommend it enough. Due for publication in April – you can pre-order a copy here.

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Goal setting – Creating a vision board

 

This weekend my sister came to stay. We’re very different but it’s lovely to spend time together.  Sunday morning, while she was playing my piano I decided to refresh my vision board.

Half an hour later I had gathered a stack of magazines, scissors and was sitting at the breakfast bar cutting out headlines, random words and letters to spell out positive phrases.

‘Louise,’ she stage whispered making me jump. I hadn’t heard her come into the kitchen. ‘Are you blackmailing someone?’

‘Umm, no.’ I said while thinking God, what DOES she think of me.

‘Are you making a ransom note?’

‘No. I can promise there are absolutely no victims of kidnapping here, but you must swear NOT to go into the utility room.’

Her eyes flickered towards the door of the utility room and back to me.

‘If you were doing something,’ she shrugged, ‘As research for a book. I promise I wouldn’t tell anyone.’ (And THAT’S why I love her).

‘I’m making a visualisation board, for positive thinking.’ I said. Disinterested she wandered back to the piano.  I know, I know. I am SO disappointing for a crime writer sometimes.

Positive thinking isn’t something that comes naturally to me. By nature, I worry. A lot. My anxiety was exacerbated after a change in health led to disability and chronic pain which also threw clinical depression into the mix.

Alongside gratitude journaling, which I blogged about here, I find it really beneficial to my mood to keep a visual reminder of the things I want. Of the person I strive to be. My hopes and dreams. Goals for the future. Where I want my writing career to be.

Everything manmade in our world began as the seeds of creation in someone’s mind. No matter how unachievable they were told their goals were and regardless of the opinions of others, through belief and determination their ideas became a reality.

Ours can too.

Recently on YouTube I’ve discussed whether you can use the Law of Attraction to visualise your way onto the bestsellers list (you can watch that here). A vision board is an extension of that mind-set.

I love having such a positive board hanging in my study. When I’ve killed someone off (writing wise of course – sorry sis) I can spin around in my chair and the world is light once more.

 

 

If you want to make a board, here’s how: –

1) Gather images, headlines and random words; anything that catches your eye in a magazine (or print from online). Be completely open and do this from the heart. You’ll know if an image provokes a positive feeling and it doesn’t have to make sense. Don’t try to analyse too much what the stuff you are gathering means at this stage.

2) After you have a substantial pile, sift through it for a second time, discarding anything that doesn’t resonate as strongly with you this time around.

3) Glue or pin what’s left onto your board and leave it somewhere you can see it every day. Don’t worry if some of the images don’t make sense to you at this stage. Be patient and wait and see what happens, it should all become clear.

Alternatively you can make a board specific to goals you already have in mind.

Join us for an evening of books & mince pies!

 

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Like I’d ever let you REALLY have the last mince pie…

 

Do come and join Darren O’Sullivan and I at Waterstones in Peterborough on Thursday 20th December where we’ll be talking about, and signing, our books, along with answering any questions you might have from 5pm.

Peterborough is beautifully Christmassy in the evening with gorgeous lights, and if that doesn’t put you in the festive mood, we’ll also be bringing mince pies!

 

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Writing with sound – Placing a reader in the scene #writingtips

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“The world has music for those who listen.” William Shakespeare

My son is home for Christmas from uni with a mountain of both coursework and laundry. Studying media, one of his assignments is to record a two minute piece of writing of his choosing and add any sound effects he thinks should accompany it.

When we last spoke on the phone I knew he’d be doing this and he was on his way to get approval from his lecturer for the piece he wanted to record. What I didn’t know was that piece is the opening to my debut, ‘The Sister’. His lecturer thankfully said he felt right in the scene as he read it and that it is the perfect piece to record.

I’ve written before about bringing the senses into prose when writing (you can read that here). Making the reader feel as though they are right there with the characters, feeling what they feel, seeing what they see, hearing what they hear.

Sound is one of the most powerful senses, believed to be the last thing to go when we die. When I’m out with my dog I never listen to music or scroll through my mobile. Instead, I drink in my surroundings, taking note of where I am and I close my eyes. What can I hear that would place me in my scene? What is unique to it? What can I use in my stories? These are the things the reader needs to hear.

Today, my son and I went to the park with his recording equipment to record the sounds that accompany ‘The Sister’. Although I believe I am mostly mindful, mostly attentive, I was stunned by the multitude of sounds I could pick out when I stood still and really allowed myself to listen.

Layers of noise, all demanding attention from a chainsaw to bird song, kids playing, dogs barking, to the more subtle sounds, the wind against a leaf, the snapping of a twig under footfall in the distance. We’ve had a fabulous afternoon recording and have returned home with a memory card full of noises and I’ve a head full of inspiration.

If you’re writing a story, take a minute to read it back. What sounds would you use if you could? Are you doing enough to set the scene? A reader who feels is a reader who will keep on turning the pagers.

Here’s the sounds we’ve inserted into The Sister: –

Stepping out of my car with heartbreak-heavy legs (car engine, car slowing, stopping, engine cut, car door slam), I zip my jacket (pulling on & zipping a coat) and pull on leather gloves (the stretch of leather gloves being pulled on) before (walking on a hard surface) hefting my spade and bag from the boot (unloading something heavy. A chink of metal): it is time. (footsteps on gravel) My wellingtons slip-slide (footsteps through mud) across the squelching mud to the gap in the hedge. It’s been there for as long as I can remember. I shiver as I enter the forest; it’s darker than I’d thought and I take deep breaths (breathing) of the pine-scented air to steady myself. I fight the urge to go home and come back in the morning, remind myself why I’m here and drive myself forwards. (Walking. Leaves. Snapping twigs).

My smartphone lights the way as I look out for rabbit holes I might fall down. I take giant steps (larger strides) over fallen limbs of trees I’d once have hurdled. At twenty-five I’m not too old to run, but my load is cumbersome; besides, I’m in no rush to get there, I was never supposed to do this alone.

I stop and rest the spade handle against my hip (spade sticking in the ground), splay my fingers and shake out my pins and needles. There’s a rustling in the bushes (leaves rustling) and I have a sense of being watched. My heart stutters (gasp) as two rabbits dart out, (louder rustling) bounding away when they see my light. ‘I’m OK,’ (voice) I reassure myself, but my voice seems loud and echoey, reminding me how alone I am.

My rucksack feels tight across my shoulders and I readjust the straps (the sound of straps sliding) before marching on (more purposeful steps), snapping twigs underfoot (twigs). I’m beginning to think I’ve taken the wrong fork when I reach the clearing with the lightning-struck tree (stop footsteps. Breathing). I wasn’t sure it would still be here, but as I look around it seems nothing has changed – but of course, everything has. Memories of the last time I was here hit me so hard I feel winded. I sink to the ground. (Clothes crinkling as sitting. Dislodging leaves). The dampness of the leaves and earth seep through my trousers, as the past seeps through to my present.

Giveaway! Signed copies of The Date!

**GIVEAWAY IS NOW CLOSED**

CONGRATULATIONS TO THE WINNERS (PICKED BY MY SON) OF RACHEL GILBERT FOR THE WORST DATE AND SUE BARTON FOR THE BEST

Firstly, a huge thank you for all the support for my latest psychological thriller centered around Face Blindness, The Date. Since its summer release I’m thrilled that it very quickly sold in excess of 100,000 copies, was nominated for The Guardian’s ‘Not the Booker Prize’ and to now learn that it is in the top 10 biggest selling books on Apple’s iBook store this year is phenomenal, particularly since it wasn’t released until halfway through the year.

The mass market paperback doesn’t hit the shops until next Spring, but as it’s Christmas I thought I’d give away a couple of signed and dedicated copies, along with postcards and bookmarks. If you already have the ebook or have listened to the audiobook, this could make a perfect gift for a friend.

To enter please comment below with either your best or worst date. Competition will run until Tuesday 11th.

Good luck!

Louise X

Here’s the blurb: –

One night can change everything.

‘I know it as soon as I wake up and open my eyes… Something is wrong.’

Her Saturday night started normally. Recently separated from her husband, Ali has been persuaded by her friends to go on a date with a new man. She is ready, she is nervous, she is excited. She is about to take a step into her new future. By Sunday morning, Ali’s life is unrecognisable. She wakes, and she knows that something is wrong. She is home, she is alone, she is hurt and she has no memory of what happened to her.

Worse still, when she looks in the mirror, Ali doesn’t recognise the face staring back at her

You can also find The Date on your local Amazon here.

The BIG editing lesson I learned writing The Surrogate #WritingTips

Today is the UK paperback publication of my third psychological thriller, The Surrogate (US paperback publication will follow later this year).  Although I’ve learned from every book, it was this one in particular where my editor gave me a piece of advice that has always stayed with me.

When I shared with my sister that I’d be writing a book about surrogacy she told me that she though the subject was too limiting. That the story would be predictable. I was determined to prove her wrong.

The Surrogate features Kat and Lisa, childhood friends, and Kat’s husband, Nick. They are all keeping dark and damaging secrets. I never plan when I write. I had a vague idea of who might be bad and who might be good but as I got deeper into the story the characters pulled me in unexpected directions. The plot became more complex than anything I thought I was capable of constructing.

As the ending gathered pace I layered twist upon twist, they tumbled onto the page as they tumbled out of my head, until finally the story reached its dramatic conclusion.

Nervously, I sent it over to my editor.

‘This is a phenomenal story’ her feedback began, ‘but…’ my heart sank ‘you’re not giving your twists time to breathe.’

I wasn’t entirely sure what she meant until I reread my manuscript. There wasn’t time to process each revelation before another one hit. It had been exhausting writing it. It was equally exhausting reading it. Rather than the pacy, hard hitting ending I thought I’d written it was confusing, lurching from one reveal to another.

She suggested taking out several twists which I was reluctant to do, so I set about rewriting the end.

For the twist she’d classed as ‘the big one’ I ensured I had no other reveals in this chapter. For other twists I moved a couple so they were away from the end. For most I lengthened the chapters so they weren’t so crammed together, particularly the epilogue which contains several.

Rereading it, I could see the difference. There was time to rest back, to process the turns of the story before it once more turned on its head.

There’s nothing I like more than pulling the rug from under the readers feet. To lead them to think they’ve got it all figured out when they haven’t. My stories always contain multiple twists. Now I’ll always give them time to breath.

You can read the opening of The Surrogate here and buy it on your local Amazon here. It is also now available in Tesco, Asda, Sainsbury’s & all good book shops.

The Gift is optioned!

“What first charmed us in Louise Jensen’s novel is the new angle with which the author approaches the subject of organ donation. If one is often interested in what precedes the transplant (anxious waiting of the patient or pain of the family of the donor), what follows the operation is often passed over in silence. Yet, we discovered with The Gift, the path of healing is often long and difficult for the transplanted person.”

I’m absolutely delighted to share my second psychological thriller, The Gift, has been optioned by Lagardere Studios who have produced some fabulous TV\Film.

“The intimate angle chosen by Louise Jensen is particularly strong as it allows us to understand the inner changes that the young woman is experiencing. The empathy the reader feels is natural and strong. What we want above all to keep while adapting to the screen, it is this intimate tone that attaches us to Jenna, and makes us experience the transplant from the inside, through the prism of the daily life of a young woman just after the surgery.”

The production company have a very clear vision for the project and I’m so pleased the scriptwriter working on the adaptation is remaining sensitive to the characters and the plot and most importantly, she loves my story.

“This breathtaking thriller that puts his heroine in front of an unknown but always more tangible danger, is ideal for a adaptation. We wish to be faithful to the novel, and would like to keep the main articulations and characters.”

More details to follow.