My new book deal, book 5 blurb & an evening of crime!

I was over the moon yesterday to share the news that I’ve signed a three-book deal with the Harper Collins imprint, HQ. You can read the official announcement here. I’m very much looking forward to working with their dynamic, creative team.

HQ will be publishing my fifth psychological thriller, The Family, next year. The Family has characters I’ve become extraordinarily attached to whilst writing it. It’s the story of Laura who is grieving after the loss of her husband following his sudden death. She’s struggled to hold it together for her daughter, Tilly, and realises she needs help. When all seems lost, she turns to a group of apparently well-meaning strangers. But, as they settle into their new community, sinister things begin to happen and Tilly becomes enthralled by the ‘head’ of their new family, Alex. It soon becomes clear to Laura that she needs to get her daughter away from Alex, but is Tilly too far gone to be saved?

Tilly and her mum, Laura took me through the whole range of emotions whilst writing from fear for their safety to utter heartbreak. I can’t wait to share where the inspiration came from and to get it into the hands of readers when it’s published on 17th October 2019.

 

My first day with HQ kicked off to a brilliant start with their crime writer’s showcase event held in their swanky offices, with stunning views overlooking the Thames. It was a chance for authors, book bloggers and book sellers to connect over canapés and inevitably, plenty of booze.

It was lovely to put faces to twitter handles and meet those bloggers I hadn’t met before as well as authors and this is where I get ridiculously self-conscious, still unable to believe after a lifetime of loving stories that I’m mixing with actual writers – me!

I’m feeling incredibly grateful like now. A BIG thank you to all who have supported me. I’m so excited to see what the future holds.

Louise x

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5 reasons why I LOVE book bloggers

 

It upset me greatly recently that there was a flurry of scathing posts on Twitter regarding book bloggers.  Partly because I loathe any kind of negativity (my Twitter bio states ‘In a world where you can be anything, BE KIND’) but mostly because I’ve got to know many book bloggers over the past couple of years and they are honestly amongst the nicest people I’ve met.

Here are five reasons why I LOVE book bloggers.

1) As a reader, I often found myself browsing book shops feeling confused and overwhelmed.  There are SO many books (and I’m incredibly indecisive) it was almost impossible to make a choice. I’m a slow reader, averaging two books a month and with such a low quantity, quality is imperative. I’ve a selection of book bloggers now I always turn to when looking for recommendations. They have similar tastes to me and I trust their judgement completely. If they say a book is brilliant, I buy it. I’ve never been disappointed.

2) Pre book-bloggers I was stuck in a bit of a reading rut. I knew the genre I most enjoyed and was hesitant to step outside of it. My trusted book bloggers have opened my eyes, raving about stories I’d never have found on my own. I now adore young adult fiction, historical and I’ve even read some dystopian books which I’d never have bought without such glowing reviews. I don’t think I even knew what dystopian was…

3) I’m a writer, so I’m going to be honest and say how much bloggers have helped me gain visibility. I signed a book deal for my debut with a small, but fast growing, publisher with a limited budget for marketing.  The publicity manager arranged a blog tour for me and soon, to my utter delight, my cover was prominent on all social media channels. Even if not everyone read the blog posts, although I know many do, seeing the same image over and over is hugely beneficial when a reader is scrolling through Amazon and instantly recognises a cover.  My sales grew through word of mouth. I really don’t think I’d have sold over a million books if it wasn’t for the support of book bloggers and for that I am hugely grateful.

4) Book bloggers have helped me improve my writing. I’ve never had much confidence in myself and I’d never been in a position where I could afford to do a writing course but I was so eager to learn my craft. Looking through some of the Amazon and Goodreads reviews can be soul destroying but I’ve found reviews from book bloggers to be really beneficial. Not everyone who blogs about one of my stories loves them, and that’s okay. What I’ve found is the majority of reviews are fair and constructive. I’ve welcomed that constructive criticism and used it to tighten my writing, develop my characters. To make each book better than the last.

5) Lastly, but by no means least, I love the sense of community and friendship there is within the blogging world. As a blogger myself, although I rarely now review books, I’ve made some life long friends, many of whom I’ve now met in real life (usually at a bar…) Most book bloggers don’t get paid for reviewing books, they give up massive amounts of time because they are passionate about stories. As a child I thought there was something wrong with me. I was the only one in my family who read. I was so utterly absorbed in stories the characters became my friends, their world became mine. To discover there are a multitude of readers who love stories as much as I do has made me feel I fit it. I have found my tribe. That tribe are book bloggers. Leave them alone!

When book events are about SO much more than books

A few months ago I was asked by Ian Loveland if I’d like to participate in an event to both raise money for, and awareness of my local library. It’s been heartbreaking to hear of the planned closure of so many libraries in our county and I was thrilled to be able to do something, however small, to help. Three other authors Sue Moorcroft, Darren O’Sullivan and Mark West also agreed to give up their time.

Tentatively we hoped if we all spent lots of time promoting the event we could sell enough tickets to bring in a decent crowd of people, more than the library could comfortably seat. The Core Theatre, who shares a building with the library, offered us a room. Corby Radio said they would market the event for free and helped us record an advert they played regularly leading up to the evening.

Last night, us authors arrived with boxes of books and mountains of hope that we’d have more of an audience than just my mum who was the first to arrive. We needn’t have worried. The event was sold out. The atmosphere electric.

Joe Flavin, Director of The Core chaired our panel and asked his first question about writing. As I scanned the room I was overwhelmed with gratitude. With emotion. A lump rose in my throat and I felt tears prick the back of my eyes. I knew this evening wasn’t solely about our stories or how we construct them. It was about people. Our community.

The seed of an idea from the library had sprouted thanks to the support of the theatre, both organisations supporting local writing. In turn, writers supporting the theatre and the library. Corby Radio supporting us all. Many of the theatre staff had volunteered their time. The people of our county buying tickets, nurturing both local talent and the wonderful resources our town has to offer.

As a community we share more than a geographical location. As human beings we all crave contact, a sense of belonging. Forming connections is essential to mental health and well being. It is through our communities we can seek comfort through difficult times. Find a light in the midst of the dark places.

The theatre, the library, hearing that familiar voice come through your radio saves us from alienation and isolation. Helps us to find each other.

Last night there was a real sense of coming together in a world that is pulling apart.

It wasn’t just about books.

It was about love and friendship.

It was about home.

The BIG editing lesson I learned writing The Surrogate #WritingTips

Today is the UK paperback publication of my third psychological thriller, The Surrogate (US paperback publication will follow later this year).  Although I’ve learned from every book, it was this one in particular where my editor gave me a piece of advice that has always stayed with me.

When I shared with my sister that I’d be writing a book about surrogacy she told me that she though the subject was too limiting. That the story would be predictable. I was determined to prove her wrong.

The Surrogate features Kat and Lisa, childhood friends, and Kat’s husband, Nick. They are all keeping dark and damaging secrets. I never plan when I write. I had a vague idea of who might be bad and who might be good but as I got deeper into the story the characters pulled me in unexpected directions. The plot became more complex than anything I thought I was capable of constructing.

As the ending gathered pace I layered twist upon twist, they tumbled onto the page as they tumbled out of my head, until finally the story reached its dramatic conclusion.

Nervously, I sent it over to my editor.

‘This is a phenomenal story’ her feedback began, ‘but…’ my heart sank ‘you’re not giving your twists time to breathe.’

I wasn’t entirely sure what she meant until I reread my manuscript. There wasn’t time to process each revelation before another one hit. It had been exhausting writing it. It was equally exhausting reading it. Rather than the pacy, hard hitting ending I thought I’d written it was confusing, lurching from one reveal to another.

She suggested taking out several twists which I was reluctant to do, so I set about rewriting the end.

For the twist she’d classed as ‘the big one’ I ensured I had no other reveals in this chapter. For other twists I moved a couple so they were away from the end. For most I lengthened the chapters so they weren’t so crammed together, particularly the epilogue which contains several.

Rereading it, I could see the difference. There was time to rest back, to process the turns of the story before it once more turned on its head.

There’s nothing I like more than pulling the rug from under the readers feet. To lead them to think they’ve got it all figured out when they haven’t. My stories always contain multiple twists. Now I’ll always give them time to breath.

You can read the opening of The Surrogate here and buy it on your local Amazon here. It is also now available in Tesco, Asda, Sainsbury’s & all good book shops.

The valuable lesson I learned on my writing retreat

In 2015 I nervously went on a ‘How to create a submission package’ retreat at Wentworth Castle. I’d finished my first novel and although I didn’t feel quite brave enough to send it out into the world, I wanted to explore my options if I one day I drank enough wine to actually sum up the courage to share it.

Ali Harper and Anna Chilvers were the tutors and after reading the opening for The Sister, felt it would glean much interest and after running through the pros and cons of agents, publishers and self-publishing, encouraged me to craft a query letter and gave me tips on writing the dreaded synopsis. I went home believing, not that I could, but that I might, and I held tightly onto that kernel of hope until the day came when I did drink enough wine to press send on the submission emails that had been languishing in my draft Hotmail folder.

Fast forward three years, four books published, nineteen translation deals and a million sales later I was delighted to be invited back to Wentworth Castle to talk to Anna and Ali’s new students on their ‘Writing Fearlessly’ retreat about my bumpy journey to publication. I spoke about the group I was part of in 2015. How the 15 other students and I were passionate about writing but never believed it would happen for us. How being an author always seemed too far out of reach.  I shared my experience  – how extraordinary things can happen to ordinary people if you can pick yourself up after the inevitable knock backs, always be willing to listen to constructive criticism and never, ever stop writing.

It was in the bar afterwards (where else would you find a bunch of writers) a lovely lady shared with me that she never wanted to be published and had no intention of ever trying to be. ‘I write for myself’ she said ‘for the love of it, because it brings me so much happiness.’

I paused. Lowered my glass and remembered how it felt to write The Sister, with no hopes or expectations, just the pure joy of spending time with my characters. How writing lifted me out of clinical depression and gave me a purpose. I still love writing, of course I do or I’d choose another career but sometimes caught up with the deadlines, the marketing, the accounts, everything else that comes with the job sometimes, just sometimes, it’s possible to lose sight of what drove me to write to start with. The passion, the drive, the possibilities.

The desire to tell a story.

I do hope the retreat participants got something out of my visit, I know I took something valuable away too.

In 2015 I was unable to stand unaided so it was super special that this time I was up to having a little mooch around the grounds, checking out Stainborough Castle and the beautiful countryside. As gorgeous as it was, alone at the castle I was seeing crime everywhere, plots spinning around my mind, picking out potential hiding places for someone to spring out, bodies to be buried. Can we ever entirely switch off the writer side of us?

Transitioning to full-time author & creating a space to write

When I began writing The Sister, I would perch on the end of my bed, iPad balanced on knee, for the half an hour each night when my son had independent reading time. Writing was my way to unwind, the way I fought clinical depression after suddenly acquiring a disability and chronic pain. As time marched on and my short story grew and grew I hesitantly invested in a second hand laptop, feeling horribly guilty, in the way most mother’s do, for spending money on myself rather than the kids.

It became clear, when I wrapped up the tale of Grace and Charlie at 90k words that it was a book but it was only after many weeks, and truth be told, many glasses of wine, I felt brave enough to send it out and luckily it got picked up quite quickly.

It was then the whirlwind started.

With The Sister scheduled for publication only six months after I signed my deal, and my editor waiting for book two life became really hectic. Still teaching mindfulness through the business I had spent years building up I wrote The Gift during breaks while simultaneously editing The Sister. I wrote in my car waiting for the kids to come out of school. My ancient laptop was propped open on the breakfast bar while I cooked meals. It came into the utility with me while I squeezed in a few words waiting for the iron to heat (okay I took artistic license with the last one – I NEVER actually iron but you get the picture. I wrote everywhere.) Still, I didn’t have a space in my home to write.

Juggling too many things, my health began to slide and my husband took over the business while I focused on writing The Gift, immediately followed by The Surrogate and then The Date. I wrote on the sofa, at the dining table, in the bedroom, at my son’s desk in his room. Anywhere I could carve out space in our busy house. My ancient laptop took longer and longer to boot up. I found it harder and harder to focus. My notes were scattered all over the house. I had no structure. Rooms were cluttered and so was my mind. Work was everywhere and it was increasingly difficult to switch off. Almost impossible to think of beginning a new book.

Something had to change.

And then an email dropped into my inbox from my publisher ‘Huge congratulations, you’ve surpassed a million English language sales.’ Stunned I shared this with my husband who was thrilled but had a very important question to ask.

‘Is this it now? You’re a full-time writer?’

I hesitated. I’d slipped further and further away from the business but we’d never sat down and talked properly about what I want. What he wants. What it would mean for our family if I could say ‘yes I’m an author’ rather than staring at my shoes and mumbling whenever anyone asks what I do for a living. My career has got off to a flying start with No.1 placements in various charts, in various countries and nineteen translation deals. Time wise I have been writing full-time but I’d still not made that mental shift. I felt a pang of sadness admitting aloud ‘I don’t think I’ll be coming back to the business.’ As much as I hoped one day to find a balance, writing is all consuming and honestly there’s nothing else I’d rather be doing.

‘Then we need to find you the space to do that,’ he said.

Last weekend I was away at a literary festival and when I returned home he’d cleared the small study that’s always been his and we spent the week decorating and choosing furniture. For the last few days, I’ve sat at my new desk, in a clutter free room that is mine and mine alone, a blank wall in front of me and I’ve felt more creative than I have in months. Ideas are flowing and I’m genuinely excited at the prospect of writing more books because finally, my name is Louise and I’m a full-time author.

I’m slightly ashamed to say this sideboard is crammed full of notebooks…

LOVE my floating bookshelves & so proud to know many of these authors.

A cosy corner to read the proofs I’m sent.

My desk will NEVER be this tidy again.

My super creative sister has made me a piece of artwork for every book I’ve released (Admittedly I’m TERRIFIED of masks so I sit with my back to this).

Rich Hall Comedian – Interview – Writing & what you should NEVER do with a good idea

Rich Hall is one of my favourite comedians. Alongside stand-up he’s a firm fixture on TV panels shows, especially QI. In 2000 he won the Perrier Award at the Edinburgh Fringe in the guise of his country singing ex-con uncle Otis Lee Crenshaw.  This week I was lucky enough to see him live where he combined comedy and music in a show that was so funny my stomach muscles still ache from laughing.  During the first half he talked in his trademark drawl, taking an interest in the audience, randomly asking people where they were from, how long they’d been married and what they did for a living.  The second half kicked off with Rich singing a song based around an audience member’s life. I was utterly in awe of how quickly he’d pulled the song together over the interval and my writer mind instantly questioned, how had he done it? As time marched on he sang song after song using new information about different people and I knew these hadn’t been pre-written. How did he, seemingly easily, come up with ideas.

At the end of the show I asked if I could ask Rich directly and blog about his process. Thankfully he said yes.

Rich, I’m in awe of the way you put songs together so effortlessly tonight.

Thanks it’s not always as effortless as it appears.

I thought you’d used the interval to write the first song you sang in the second half but then you carried on singing about audience members. You must make them up on the spot?

Not entirely. The interval helps, trust me. In the interval I’ve got a bit of information to work with. I don’t know what I’m gonna do with it but at least I know. I knew that guy drove a mini metro and I could think about it.  I guess it’s a little like you planning books?

I tend to wing it!

Hehe I wing it too but even then I’m thinking ahead wondering what could come next. Sometimes shows are shorter without an interval and then the pressure’s really on but some writer’s work better under pressure. You one of those?

God no! I don’t like too much pressure but I’m beginning to think I’m better with a deadline of some sort. I don’t have one at the moment.

 Yeah sometimes it stems creativity having to produce something. It sucks the life out of it. But sometimes you need that kick up the arse.

A couple of the songs you sang tonight I’d heard before. How do you approach song writing?

Often I work on the structure first and then I sit and teach the band – here’s what I want you to play – then we’ve got a good feel for it and I fill in the words. It comes easier with experience. Writing is writing whatever it is. Practice definitely helps.

 How long have you been writing?

Thirty five years now. I studied journalism at college and then went to work for the Seattle newspaper writing columns. I hated it. I’d always wanted to be a comedian. One day I just decided to go for it.

It’s not only jokes and songs you write is it?

No there’s plays, books and documentaries. All sorts.

Do you write on the road? Are you structured with your approach?

If inspiration hits I’ll write. I split my time between the UK and my ranch in Montana and I tend to do a lot of writing there.

Do you have any rituals?

I wish I did. I wish it was like a tap that I could do something and it would come. Sometimes I get really stuck, don’t you?

I do but I tend to only work on one project at a time so I have to work through it somehow. What do you do?

 I walk away. Writing’s pretty much the same, jokes, stories, whatever and sometimes you have to walk away from it.

If you could give one piece of advice to new writers, what would it be?

When you get an idea you know in your gut if it’s a good one and if it is don’t beat it into the ground. If it doesn’t flow and you force yourself to keep working on it you lose confidence in the idea and it becomes old. You’re a writer, Louise. You know what I’m talking about?

Absolutely. I’ve had to put the manuscript for my latest novel, The Date, away so many times because it wasn’t coming and I knew it was too good an idea to let go.

Yeah that’s the thing. You give something space and it could be good.  If you’re sick of thinking about it let it go for a while. That’s what I learned. I was very frustrated when I started out because I thought I had to sit and work on something until it was finished.  Sometimes you’ve got to mix it up. What gets you through the hump?

A mixture of pure panic, cheese and too much wine.

Hehe, I might try that!

It’s been lovely talking to you Rich. Thanks so much for your time.

It’s been a pleasure.