Welcome to my new diary series. Each month I’m going to document the progress on my new first draft, both to keep myself on track and to share a little insight into the life of a full-time writer. So, here’s how my September went…
At the end of last month I finished editing my second Amelia Henley book ‘The Art of Loving You’ for the German market. As much as I love writing contemporary fiction there had been an idea for a thriller I’d been toying with for the past couple of years that was on my mind more and more. It really excited me and I’d tried to start it three times but I couldn’t figure out the purpose of the book. Usually, once I have a concept, a character who wants something, and an idea of what’s stopping them getting it, I dive right in but I knew this story was different. There had to be a point to the ‘baddie’ being bad and I just couldn’t figure out what it was. Because of the setting, options were limited and I didn’t want to write myself into a corner. For a long time I was fixated on the bad guy being after a key the main character had, and sporadically over dinner I’d fire questions at my bemused family ‘what could the key be for?’ becoming more desperate each time. I was at the stage of shelving it (again) and despairingly said to my younger son ‘I don’t know what to write next’ (fact – ALL writers worry at some stage they’ll never have another idea) when my youngest son said ‘let’s get some post-its and brainstorm ideas.’
Best. Thing. Ever.
Within an hour we’d ditched the key, come up with something better, and, relieved to have a direction, I began writing it immediately.
I’m not a quick writer. No first draft within a few weeks for me, it takes a few months and that’s alright. I never want to put pressure on myself and suck the joy from the writing. For me, consistency in writing, showing up every day and either putting a few words down or researching is more important to me than word count goals. It took me a long time to accept that my process is okay because it works for me. It can be difficult, particularly on social media, not to compare yourself to other authors.
Day one was spent solely on the first line. Once I get the tone of that right I knew the prologue will flow and it did. It terrified me both writing it and reading it back. This will definitely be my darkest book yet.
At the end of week one, the prologue and chapter one were finished (3k words – told you I was slow) and then there was a few days I didn’t think about my story because my son got married! It was such a joyous event and I was immensely proud of all of my boys. The youngest read a poem I had written and his brother was the Best Man and read out a highly emotional speech. Happy tears were shed.
I began the week itching to get back to my new characters but then two things happened. The edits for the US version of my first Amelia Henley book ‘The Art of Loving You’ arrived and my youngest son was diagnosed with COVID. Some days, I sat on the landing, outside of his bedroom, with my laptop, trying to focus but it was difficult, I was consumed with worry. I knew, that whatever I wrote towards my new story wouldn’t be any good so instead I took the time to think about how many points of view I wanted to include and how to structure the story. I decided on three points of view and a dual timeline. Then came one of my favourite parts of being a writer – I ordered a new notebook! Oh the joy in an otherwise bleak week.
My son was, thankfully, over the worst of the symptoms, although he was left with an overwhelming exhaustion. I returned to work in my study downstairs although I was constantly messaging him and checking my phone. I reread and revised what I’d written. I know, I know, according to every writer ever you should never edit as you go (I always edit as I go).
The week began with a new foreign rights deal which I was very grateful for. Like so many other industries the pandemic has hit publishing hard and this has given me a little hope for the future. I also had discussions with my UK editor and my German editor regarding covers for my next releases. I always get so excited when I see a cover, it really makes the book seem real. This spurred me on to knuckle down to finish the first three chapters of my wip (work in progress). My agent and editor have no idea what I’m writing about so I’ve sent it over to both of them. Much like when I was submitting my debut, my palms were clammy and my heart beat faster. Sharing your work is always nerve wracking. If my editor doesn’t think my idea is commercial enough or she doesn’t think there is a hook then my publisher won’t want to publish it and I’m already so invested in this story.
So now I wait for feedback…
Monthly round up: –
7500k new words written
Light edits on 2 books for foreign markets
High – My eldest son’s gorgeous wedding
Low – My youngest son got Covid
What I’m reading – Joan Collins ‘Past Imperfect’
What I’m watching – Money Heist season 5
Join me next month to find out what my agent and editor think of my opening chapters. In October there will also be an exclusive giveaway for subscribers of my newsletter. Subscribe here today and get two FREE short stories.
Any specific questions on writing and publishing do drop them in the comments below.