In Part I of my ‘Hook an Agent’ series I shared my submission letter for The Sister which you can read here. In Part II, here, Literary Agent Rory Scarfe told us ‘Never let your ideas be ordinary.’ Part III was Rowan Lawton sharing her top 3 tips for writing that synopsis & I shared part of my synopsis for The Sister. You can read that post here. Part IV, you can read here, featured agent Eugenie Furniss advising us to tighten those first 3 chapters, I also shared the opening of The Sister.
Today, the final part of the series, is all about how to find an agent. It’s tricky to find the right agent for you and as with any industry there are those who are fabulous and those who aren’t. It’s imperative to find someone you can trust because not only will they be guiding your career, they will also be taking a percentage of your earnings. There are horror stories of course, authors who have had their fingers burned, and while I feel it’s better to have no agent, than the wrong agent, the good news is there are so many credible ones to choose from.
We all have different approaches from reading the Writers & Artists’ Yearbook to Googling Literary Agents. I was very careful and almost reluctant to submit my manuscript. It took ages for me to draw up a list of who I wanted to submit to. For my search I read as many books as I could in my genre and when I fell in love with one I emailed the author to ask who their agent was and whether they were happy with them. If the answer was positive (and they weren’t all positive) I’d find out who else was on that agent’s list, how successful the books they placed were. Then I’d stalk them on social media, trying to get a sense of whether I thought I could work with them. I ended up with a small list but it’s important to not initially send your submission package out to as many agents as you can, as sometimes that ‘no’ will come with personalised feedback on your story and then you’ve the option to tweak your MS if you agree, before you send out again. I’ll hand over now to this fabulous bunch of bestselling authors who will share their journey.
I bought a copy of The Writers & Artists’ Yearbook and circled all the agents who represented the bestselling authors in my genre. I then drew up a list of thirty and sent a personalised cover letter, synopsis and the first three chapters to my top six. It didn’t take long for the rejections to start rolling in but Darley Anderson (who represents Lee Child and Martina Cole) asked to see the full manuscript. Six agonising weeks later he rang me back. The book had potential, he said, but it wasn’t of publishable standard – yet. He told me what I needed to work on and told me to resubmit when I’d written a new draft. Several weeks after I resubmitted it I had a phone call. It was Madeleine Milburn who was (then) Darley’s head of foreign rights. She loved my book so much she said, that she’d asked Darley if she could represent me. Maddy’s enthusiasm for my book was infectious and I signed with her. Several years later, when she left to start her own agency, I went with her. We’re now approaching our ten year agent/author anniversary! C. L. Taylor
I finished writing The Teacher and then sent my first three chapters off to fifteen agents. After four immediate rejections within a week, I was contacted by Diane Banks who asked to read the rest of the book. She then travelled to Ramsgate from London and we met for lunch. It all happened so fast! I got on really well with Diane and so I signed with her agency. Katerina Diamond
I’d given up hope of finding an agent, and I’d signed a two book deal with HQ Digital (Carina at the time) when i got an email from Lisa Moylett, my now agent asking to read the full. I was in France with no wifi, so had to tell her that I’d send it when I got home…I sent it the morning after I got home and she emailed that night to say could she call to talk to me about representation…only problem was, I’d been for dinner with a friend and had sunk loads of wine so had to email back and say I couldn’t speak to her til the morning! Luckily, even though I did give her a bit of hassle, she still wanted to represent me – I was invited for lunch with her and Jamie MacClean, her business partner, and was instantly made to feel like part of the CMM family. There was no way I couldn’t sign with her! Lisa Hall
I first came across Rowan Lawton on the Novelicious website where I read that among other things she likes issue-led debuts. My first novel was issue-led, so I thought Rowan might like it. Instead of submitting directly to her, I entered that novel into a competition on which she was a judge. I was shortlisted, and Rowan liked my book and worked with me for some months on changes. In the end, she turned me down. Of course, I was gutted, but I remained determined. I entered the Bristol Short Story Prize twice when she was a judge and to my astonishment was shortlisted both times. I met up with Rowan at one of the prize ceremonies – and as we chatted, I realised that we loved the same kind of books. She was so friendly and engaging, and unlike any other agent I had approached, she was eager to read everything I sent her. Finally in June 2016 when I sent her my third book, The Maid’s Room, she agreed to represent me. I was ecstatic because I knew this was a game-changer. I hugged her very hard indeed. Sure enough, four months later, I signed with Hodder & Stoughton as well as several foreign publishers, and my debut novel The Maid’s Room is out on 16th November. Fiona Mitchell
I was a bit fed up about royalties one day and decided to approach (the late, great) Carole Blake. We were friendly on social media and when we met at conferences and I sent her an email that began, ‘I know you’re not taking anybody on, but I’m going to ask you anyway.’ She felt that lovely Juliet Pickering, another agent in the Blake Friedmann Literary Agency, was a better fit for me, let Juliet read my work and made the introduction so we could see how we got on. We got on very well and Juliet has played a leading role in steering my career to greater things. I am a very happy (agented) author! Sue Moorcroft
I’d researched agents who I knew wanted psychological/crime fiction and those who I would love to be represented by, then made a ‘hit-list ‘of favourites. The list was fairly long! I got the usual rejections, then some wonderfully exciting emails asking for me to send my full manuscript. The agent I signed with happened to be the first agent who asked for the full. Her response ended up being a rejection, but with a snippet of hope tagged on the end – the magical words: ‘I think you are talented and would be very happy to talk more about you and your writing, or to see anything else you might write in this area.’ By the time I received this email, I’d begun my second novel – Saving Sophie – the opening chapters of which had been longlisted for the CWA Debut Dagger, so I immediately let her know of this! A meeting was arranged for the following month and I accepted her offer of representation about a week after. Sam Carrington
I had known my agents for some years prior to signing with her and our paths had crossed several times at various writing events. When the time came for me to look for an agent, I wanted someone I felt comfortable talking to, someone who I could speak to freely and someone who I felt loved my work. My agent ticked all these boxes, so it was an easy choice for me. Sue Fortin
Thanks so much to all who have taken part in my ‘Hook an Agent’ series. I do hope it’s been useful to writers approaching the submission stage. Good luck to all submitting!