A visit to Keats House & a lesson for all writers

After I’d had such a fabulous time at ID studio in London watching ‘The Family‘ audiobook being recorded (and you can read my behind-the-scenes-blog here) I wasn’t quite ready to go home.

Keats House is somewhere I’d always wanted to visit but never quite got round to. With the sun shining and having heard lovely things about the garden, it seemed a perfect time.

Poetry is something I love to read. As a teenager, I’d often outpour my emotion onto paper but as an adult, I find novels somehow easier to write. I’m a big fan of the romantic poets and standing on the front doorstep, gazing at the house where John Keats wrote much of his work, was an emotional experience.

The house is smaller than it appears from the outside, split over three floors. When Keats lived here it was tinnier still, split into two separate dwellings. He wrote his poetry in the parlour and rented a bedroom.

Before my visit, I was familiar with many of his poems but I didn’t know much about his personal life. I learned that Keats was a medical student, and after receiving his apothecary license which made him eligible to practice as an apothecary, surgeon and physician he decided instead to follow his dream of being a writer.

He lived in poor conditions and constantly worried about money. Sadly he was due to receive over half a million pounds in today’s money in inheritance but it appears he was never told about the money and never claimed it. He moved into this house in Hampstead, originally called Wentworth Place as a lodger.

 

   

In his lifetime he published three poetry books, none of which sold well, and he thought he had failed as a writer.  That nobody would ever be interested enough to want to read his work. Keats is now regarded as one of the greatest poets of our time and it really struck me that, throughout time, markets have changed so quickly. An author may release a book that initially doesn’t do very well but, particularly in today’s digital era, it is never too late for that book to gain popularity. Keats thought his career was over before it had properly begun but his poetry has stood the test of time.

I’m on the cusp of publication of my fifth psychological thriller, ‘The Family‘, and Keats own publishing experience has been a valuable lesson for me. Every writer experiences highs and lows. Of course, I’d love my story to fly, but if it doesn’t there will be other novels afterward. We are all so much more than just one book.

Keats fell in love with Fanny Brawne who lived next door and the things he wrote about her made me smile. I don’t think in this day and age I’d be hugely appreciative if I was told my mouth was bad and good, my hands baddish and my feet tolerable. He also said ‘I shall domesticate her and then marry her.’

Tragically after their engagement Keats developed tuberculosis and despite moving to Rome for the warmer climate he died at the age of only twenty-five.

He was incredibly brave to give up a respected and well-paid career to follow his dreams and such a shame he never lived to see how adored he’d become.

 

 

Behind the scenes of an audiobook recording – #WelcomeToTheFamily

 

Saturday was a very special day for me. I travelled to London to ID Studio to both observe the recording of the audiobook for The Family and to record my own acknowledgments, reader letter and book club questions.

I was met by Rebecca from the Harper Collins Audio Team who was super smiley and far too happy for somebody who had generously given up half of her weekend so I could cross something off of my publishing bucket list.

Inside the studio, the first person I saw looked so much like the Laura I had imagined as I wrote her it seemed too perfect to hope that she might be narrating her but she was! Helen Keeley said hello and thankfully I loved the tone of her voice because I am absolutely no good at masking my emotions.

Emma who works directly for the studio and is a whizz at everything led me to the booth and told me I’d be recording my bit first.

I was super conscious that due to the tight turnaround needed everyone was working the weekend and I was oddly calm (for me) as I vowed to do it in one take.

I didn’t.

Through my headphones, I could disconcertingly hear both myself (do I really sound like that?) and Emma in the studio who was giving me instructions.

The words I thought would phase me (why oh why did I put ‘totalitarian’ in my reader letter) didn’t but for some reason, I was rendered unable to pronounce ‘fifth’ and that word took three attempts. Emma had that wonderful Irish calmness and reassured me (lied) that I was doing okay. Voicing my acknowledgments, thanking my friends and family, as well as everyone who has been instrumental in bringing The Family to life, was so emotive. All too soon my part was over and it was time to settle back and watch Helen in action.

I left the booth and went into the main studio where I could both see and hear Helen. Emma told her to pick up where she had previously left off and… instant panic (I thought my lack of anxiety was strange). Sweat prickled as inside my mind looped the same six words.

Please don’t be a sex scene.

Please don’t be a sex scene.

Please don’t be a sex scene.

Fortunately, it wasn’t (I would totally have had to leave!) Instead Helen kicked off with Chapter Eight which is one of my favourite chapters. It’s the point in the book where Laura has reached rock bottom and this chapter is instrumental in her deciding moving to the commune is her only option. The emotion in Helen’s voice as she read was staggering – you can listen to the thirty-second clip I sneakily recorded below) and my eyes welled with tears (see above – I CANNOT mask my emotions).

Before long we’d reached the point in the story where Laura reaches the commune. As the story is set in Wales I had written the signposts outside of Oak Leaf Farm in both Welsh and English. At this point, Helen paused to listen to the correct pronunciations on her phone before she effortlessly parroted them but I felt awful for not considering as I wrote my story the potential difficulties a narrator might face. I WILL bear this in mind in the future!

After the recording stopped it was great to chat with Helen, Emma, and Rebecca about the audiobook process. I learned that it is the studio that sends over samples of narrators they think will be suitable for certain parts to the publisher (The Family has three narrators for each of the viewpoints).  After narrators are selected it’s a case of liaising with their agents and scheduling their availability with studio availability, always bearing in mind the publication date of the book.

It’s quicker than I thought to record a book – roughly speaking a day is allowed per hundred pages.

As the narrator reads the text is checked by at least one person. While I was there both Emma and Rebecca were reading along to make sure Helen wasn’t inadvertently skipping words or sentences (she wasn’t) as well as catching any last-minute errors in the manuscript.

Every now and then, Helen would ask to redo something and Emma, using Protools software would skip back, deleting previous words. She regularly added markers for beginnings of chapters to make it easy for the next stage – the editing.

This is where the book is tidied up. Any background sound, breathing, swallowing, pops on the mike, etc. is cut out and the whole thing is listened to and checked again. Any last minute pick-ups can sometimes mean the narrators have to rerecord certain bits before it is mastered and finally turned into an audiobook which is sent to the publisher who sends it out to retailers.

I am so grateful to my editor, Manpreet,  for arranging this experience – it meant such a lot to me, and for the team for putting up with me on a Saturday. It is genuinely something I shall never forget.

As I left, I asked Helen what was the thing she most enjoyed about narrating audiobooks.

‘I get a chance to play parts I might not otherwise be cast as,’ she said. ‘Although in your story I’m Laura, in her point of view I have to sometimes portray Alex. There’s no way I’d ever usually get to play the part of a male, Welsh, cult leader.’

She has a point.

‘The Family’ will be published as an ebook on 25th September and on paperback and audio on 3rd October. You can preorder in all formats here.

Do join me at my live Facebook launch party where I’ll be giving away both singed copies of my books, as well as a bundle donated by HQ stories. I’ll also be answering your questions on writing and books. You can find the event here.

#WelcomeToTheFamily

**Cover Reveal** The Family!!

I am SUPER excited to reveal the cover of my forthcoming psychological thriller, ‘The Family,’ which will be published on 3rd October (6 weeks!!) is available to preorder now here.

My fifth book – (fifth!!) – is the dark, emotional story of Laura and her daughter Tilly and has been getting some amazing early feedback.

Creepy & compelling, another great impossible-to-put-down thriller from the fabulous Louise Jensen.’ B A Paris

‘A clever, addictive thriller about family, loss and lies. Packed full of secrets and twists, it will keep you guessing until the final page.’ Alice Feeney

‘Wow! What a book. I loved it, the pace was fantastic & the relationship between Tilly & Laura was gripping & the love really stood out. I thought I had it all sussed, but didn’t see how neatly everyone was connected. This book is going to fly!’ Darren O’Sullivan

‘Cements Louise as THE writer of beautiful, character-led, yet still page-turningly-good thrillers. This will (and should) be huge.’ Louise Beech

I’ll be sharing more about why I wrote this book and what it means to me, but for now, here’s the blurb:

ONCE YOU’RE IN, THEY’LL NEVER LET YOU LEAVE.

Laura is grieving after the sudden death of her husband. Struggling to cope emotionally and financially, Laura is grateful when a local community, Oak Leaf Organics, offer her and her 17-year-old daughter Tilly a home.

But as Laura and Tilly settle into life with their new ‘family’, sinister things begin to happen. When one of the community dies in suspicious circumstances Laura wants to leave but Tilly, enthralled by the charismatic leader, Alex, refuses to go.

Desperately searching for a way to save her daughter, Laura uncovers a horrifying secret but Alex and his family aren’t the only ones with something to hide. Just as Laura has been digging into their past, they’ve been digging into hers and she discovers the terrifying reason they invited her and Tilly in, and why they’ll never let them leave…

Publishing 3rd October – preorder now.

3 years in publishing, 10 lessons I’ve learned

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This week marks three years since my debut, The Sister, was published. There was no gentle easing into the publishing industry because, and I am eternally grateful – my first novel soon rose to No. 1 in various countries, spending almost the entire summer in the top spot in the UK. It quickly sold over half a million copies and was snapped up for translation by twenty-five territories, nominated for the Goodreads best debut award, and became the sixth biggest selling book on Amazon in 2016.  As lovely as all this was – and it was – there was no time to sit back and enjoy it, the pressure was on to finish writing my second book, The Gift.

Fast forward to now, over a million sales later, and publication of my fifth thriller, The Family is imminent and yet I still feel as though I’m finding my feet. Often overwhelmed with the thought of having to write more books and yet heartbroken at the thought that one day I might not be in the fortunate position of writing full time. Creating stories is my passion, my reason for getting up in the mornings but, sometimes (generally during a first draft) the cause of my insomnia. Thoughts of ‘how can I make my next book better than my last’ all-consuming.

I have a sense that I know nothing about writing, about publishing and yet I know infinitely more than I did and these are the ten lessons I try to bear in mind.

  • There are readers who will love my story. No matter how daunting it is releasing a new book into the wild, I write stories I would love to read myself and it stands to reason that if my story is one I would love to read, someone else will love it too.
  • There are readers who will hate my story. Negative reviews are inevitable. It doesn’t mean – as I once thought – I should stop writing books because Sandra from Basingstoke doesn’t like them. Not every book will resonate with every reader.
  • The pressure I have felt has been the pressure I have burdened myself with. My agent, my publisher, my readers want future books but no one is chaining me to my desk and forcing me to write (note – that might make a good plot)
  • The world will not stop turning if I don’t ever write another book. My world would be darker, sadder, but if I couldn’t think of a single plot again it really wouldn’t cause the sun to explode.
  • Some books are easy to write. My third – The Surrogate – literally fell from the sky on to the page and I thought I’d finally found the magic formula.
  • Some books are impossibly difficult. My fourth book – The Date – took several false starts and was shoved into the bottom of my drawer multiple times.
  • Social media sometimes brings me down – if I’ve had an unproductive day I avoid twitter as I know that seeing other writers ‘I’ve written thousands of words since breakfast’ posts leave me feeling inferior.
  • My editor is mainly right. Mainly. Not always. Ultimately it is my name on the cover and if I feel strongly that a suggested change is wrong for my characters I will stand up for them. It’s a suggested change, not the law. That said I’m so lucky to have an editor and I’d be a fool to ignore her expertise. A fool!
  • EVERY writer has highs and lows but it’s often only the highs you hear about. No matter what level of success someone has there are still disappointments. Still times the words won’t flow. Self-doubt is ever-present for most creatives. I don’t think that ever fully disappears and nor do I think it should.
  • A dip in sales does not mean the end of a career. Some books sell more than others, some books gain better reviews. All I can do is set out to write my best book every time and never become complacent. I love what I do and I never forget how fortunate I am.

I’ll be giving away some signed copies of The Sister this week so do follow me on my Facebook page for a chance to win one.

 

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The joy I felt holding my first book is something I shall never forget

 

6 monthly news roundup & an invitation!

It’s been six months since my last news roundup. I can’t believe how quickly the year is flying by. I hope you’ve been enjoying the sunshine as much as me.

Yesterday, I had a lovely surprise when a box arrived from my publishers, HQ – Harper Collins – full to the brim of proof copies of my forthcoming thriller, The Family. I was overwhelmed and you can see my reaction over on YouTube here.

I’ve never had a proof copy with a specially designed cover before. This gorgeous double cover will be very different from the retail version of the book and is especially for book reviewers and members of the media.

The thought that my story is now winging its way out into the world prior to its publication on October 17th is both nerve-wracking and exciting.

Although the cover hasn’t yet been finalised The Family is now on Amazon (here). I had my first attempted at writing a blurb – what do you think?

COULD ONE MOTHER’S MISTAKE COST HER DAUGHTER EVERYTHING?

Laura is grieving after the sudden death of her husband. Struggling to cope emotionally and financially, Laura is grateful when a local community, Oak Leaf Organics, offer her and her 17-year-old daughter Tilly a home.

But as Laura and Tilly settle into life with their new ‘family’, sinister things begin to happen. When one of the community dies in suspicious circumstances Laura wants to leave but Tilly, enthralled by the charismatic leader, Alex, refuses to go.

Desperately searching for a way to save her daughter, Laura uncovers a horrifying secret but Alex and his family aren’t the only ones with something to hide. Just as Laura has been digging into their past, they’ve been digging into hers and she discovers the terrifying reason they invited her and Tilly in, and why they’ll never let them leave…

I was honoured when Titan books invited me to write a short story for their ‘Exit Wounds’ anthology. To be regarded by the editors as one of the nineteen best crime writers around was a bit… well bonkers really but I’m so happy to have my story – The Recipe – share a book with Mark Billingham, Lee Child and Val McDermid among others. I was reading the other stories on holiday and they are brilliant. You can find it on Amazon here.

On Sunday I’ll be again sharing a stage with the fabulous crime writer Darren O’Sullivan at Earls Barton Literary Festival in Northamptonshire. We’re pictured above at last month’s Deepings Literary Festival. Darren and I are such good friends which makes for our talks being a lot of fun. Rather than a structured script we prefer to chat with the audience making sure everyone goes away knowing everything they wanted to about books, writing, and publishing. Do join us if you can. Tickets are available here.

Aside from books I’ve shared how it feels as a parent when your child suffers from depression in a candid post, you can read here. I’m so proud of my son for being so open about his mental health problems and we both wanted to share a harrowing experience we recently had. Please do share if you think it might help anyone.

I’ve recently come back from a holiday in Lanzarote, where I made friends with this gorgeous stray cat who fell asleep on my dress.
I’m refreshed and ready to start work on my next book. My agent loves the opening I sent him and for the first time ever when I begin writing something new, I already know the twist. Trust me, no-one will see this coming!
Lastly, I wanted to share the stunning German cover for The Date, retitled ‘Her Last Date.’ I’m so pleased with it and it will be published in October.

Aside from my regular blog posts, I’ll be back in a few weeks for another news update to reveal the cover for The Family and some super exciting and unexpected news I can’t quite share yet.

In the meantime enjoy the sunshine,

Louise x

 

https://www.youtube.com/watch?v=uc6734gTiaU

Giveaway! Signed copies of The Date!

**GIVEAWAY IS NOW CLOSED**

CONGRATULATIONS TO THE WINNERS (PICKED BY MY SON) OF RACHEL GILBERT FOR THE WORST DATE AND SUE BARTON FOR THE BEST

Firstly, a huge thank you for all the support for my latest psychological thriller centered around Face Blindness, The Date. Since its summer release I’m thrilled that it very quickly sold in excess of 100,000 copies, was nominated for The Guardian’s ‘Not the Booker Prize’ and to now learn that it is in the top 10 biggest selling books on Apple’s iBook store this year is phenomenal, particularly since it wasn’t released until halfway through the year.

The mass market paperback doesn’t hit the shops until next Spring, but as it’s Christmas I thought I’d give away a couple of signed and dedicated copies, along with postcards and bookmarks. If you already have the ebook or have listened to the audiobook, this could make a perfect gift for a friend.

To enter please comment below with either your best or worst date. Competition will run until Tuesday 11th.

Good luck!

Louise X

Here’s the blurb: –

One night can change everything.

‘I know it as soon as I wake up and open my eyes… Something is wrong.’

Her Saturday night started normally. Recently separated from her husband, Ali has been persuaded by her friends to go on a date with a new man. She is ready, she is nervous, she is excited. She is about to take a step into her new future. By Sunday morning, Ali’s life is unrecognisable. She wakes, and she knows that something is wrong. She is home, she is alone, she is hurt and she has no memory of what happened to her.

Worse still, when she looks in the mirror, Ali doesn’t recognise the face staring back at her

You can also find The Date on your local Amazon here.

‘The Wait’ – Flash Fiction – 100 words

 

Photo courtesy of Rochelle Wisoff-Fields

It was there, lurking in the gloom. Vague and amorphous and impossible to capture.

But that didn’t stop me trying.

I skulked and stalked and waited. Endlessly waited.

It was 3am on a cold winter’s night when I finally grasped it with both hands. The freezing air bit the tips of my nose, my cheeks but I didn’t care.

Triumph warmed me.

It was mine.

Slowly it began to uncover itself to me and I fell in love. Polishing it until it shone.

My idea.

I’d pinned it down. At last my scattered thoughts a solid something.

A book.

This week I’m celebrating a new 3-book deal with Harper Collin’s imprint, HQ. You can read my blog about that here and The Bookseller announcement here, along with the blurb for my 5thpsychological thriller, The Family.

‘The Wait’ was written for Friday Fictioneers, a weekly 100 word photo prompt challenge hosted by the fabulous Rochelle. Hop over to Rochelle’s blog here and read the other entries or join in!

My new book deal, book 5 blurb & an evening of crime!

I was over the moon yesterday to share the news that I’ve signed a three-book deal with the Harper Collins imprint, HQ. You can read the official announcement here. I’m very much looking forward to working with their dynamic, creative team.

HQ will be publishing my fifth psychological thriller, The Family, next year. The Family has characters I’ve become extraordinarily attached to whilst writing it. It’s the story of Laura who is grieving after the loss of her husband following his sudden death. She’s struggled to hold it together for her daughter, Tilly, and realises she needs help. When all seems lost, she turns to a group of apparently well-meaning strangers. But, as they settle into their new community, sinister things begin to happen and Tilly becomes enthralled by the ‘head’ of their new family, Alex. It soon becomes clear to Laura that she needs to get her daughter away from Alex, but is Tilly too far gone to be saved?

Tilly and her mum, Laura took me through the whole range of emotions whilst writing from fear for their safety to utter heartbreak. I can’t wait to share where the inspiration came from and to get it into the hands of readers when it’s published on 17th October 2019.

 

My first day with HQ kicked off to a brilliant start with their crime writer’s showcase event held in their swanky offices, with stunning views overlooking the Thames. It was a chance for authors, book bloggers and book sellers to connect over canapés and inevitably, plenty of booze.

It was lovely to put faces to twitter handles and meet those bloggers I hadn’t met before as well as authors and this is where I get ridiculously self-conscious, still unable to believe after a lifetime of loving stories that I’m mixing with actual writers – me!

I’m feeling incredibly grateful right now. A BIG thank you to all who have supported me. I’m so excited to see what the future holds.

Louise x

The BIG editing lesson I learned writing The Surrogate #WritingTips

Today is the UK paperback publication of my third psychological thriller, The Surrogate (US paperback publication will follow later this year).  Although I’ve learned from every book, it was this one in particular where my editor gave me a piece of advice that has always stayed with me.

When I shared with my sister that I’d be writing a book about surrogacy she told me that she though the subject was too limiting. That the story would be predictable. I was determined to prove her wrong.

The Surrogate features Kat and Lisa, childhood friends, and Kat’s husband, Nick. They are all keeping dark and damaging secrets. I never plan when I write. I had a vague idea of who might be bad and who might be good but as I got deeper into the story the characters pulled me in unexpected directions. The plot became more complex than anything I thought I was capable of constructing.

As the ending gathered pace I layered twist upon twist, they tumbled onto the page as they tumbled out of my head, until finally the story reached its dramatic conclusion.

Nervously, I sent it over to my editor.

‘This is a phenomenal story’ her feedback began, ‘but…’ my heart sank ‘you’re not giving your twists time to breathe.’

I wasn’t entirely sure what she meant until I reread my manuscript. There wasn’t time to process each revelation before another one hit. It had been exhausting writing it. It was equally exhausting reading it. Rather than the pacy, hard hitting ending I thought I’d written it was confusing, lurching from one reveal to another.

She suggested taking out several twists which I was reluctant to do, so I set about rewriting the end.

For the twist she’d classed as ‘the big one’ I ensured I had no other reveals in this chapter. For other twists I moved a couple so they were away from the end. For most I lengthened the chapters so they weren’t so crammed together, particularly the epilogue which contains several.

Rereading it, I could see the difference. There was time to rest back, to process the turns of the story before it once more turned on its head.

There’s nothing I like more than pulling the rug from under the readers feet. To lead them to think they’ve got it all figured out when they haven’t. My stories always contain multiple twists. Now I’ll always give them time to breath.

You can read the opening of The Surrogate here and buy it on your local Amazon here. It is also now available in Tesco, Asda, Sainsbury’s & all good book shops.

The Gift is optioned!

“What first charmed us in Louise Jensen’s novel is the new angle with which the author approaches the subject of organ donation. If one is often interested in what precedes the transplant (anxious waiting of the patient or pain of the family of the donor), what follows the operation is often passed over in silence. Yet, we discovered with The Gift, the path of healing is often long and difficult for the transplanted person.”

I’m absolutely delighted to share my second psychological thriller, The Gift, has been optioned by Lagardere Studios who have produced some fabulous TV\Film.

“The intimate angle chosen by Louise Jensen is particularly strong as it allows us to understand the inner changes that the young woman is experiencing. The empathy the reader feels is natural and strong. What we want above all to keep while adapting to the screen, it is this intimate tone that attaches us to Jenna, and makes us experience the transplant from the inside, through the prism of the daily life of a young woman just after the surgery.”

The production company have a very clear vision for the project and I’m so pleased the scriptwriter working on the adaptation is remaining sensitive to the characters and the plot and most importantly, she loves my story.

“This breathtaking thriller that puts his heroine in front of an unknown but always more tangible danger, is ideal for a adaptation. We wish to be faithful to the novel, and would like to keep the main articulations and characters.”

More details to follow.