New book deal. New genre. New beginnings. My HAPPY news!

Writing thrillers is something I am super passionate about. It fulfils the Enid Blyton’s Famous Five obsessive inside of me, the Scooby Doo and the gang need to solve the mystery addict. But I’ve always had another dream. A dream I clutched tightly to my chest promising it one day, eventually, and when I’ve got more time but I never seemed to have more time and eventually never came.  It felt like a secret. A secret I couldn’t quite share. You see, I’d had my heart broken at the age of eight after reading Little Women and that was when I knew with certainty I wanted to one day write a story which would make readers fall in love with the characters, cry for them, hope, question ‘what would I do in that situation.’

It was while I was on holiday in Lanzarote, gazing out to sea that I saw a scene in my mind play out like a movie. Although the scene was imagined it was very real to me, along with the characters, Adam and Anna. Unusually, the idea came fully formed, as though it was their story and I just had to transcibe it.

I sat in a beach bar with my son who is already such a talented writer and I told him I had had an idea. ‘It’s a bit crazy though’ I warned him. ‘All the best ideas are,’ he wisely said. ‘You must write it,’ and so there and then I began to draft notes.  Their journey begins in Lanzarote (although I’ve renamed the island) with a love lock. I was already so invested in Adam and Anna as a couple I purchased them a love lock and fastened it to the chain fence at the beautiful cover where we were staying (which also features in the book). I wrote for the entire plane journey home.

Back at my desk, I picked up where I’d left off with my latest thriller and when I tweeted that I had been so excited about my new idea I felt so sad I had put it to one side. I knew I owed it to Adam and Anna to put down my current work in progress and finish their story. I owed it to myself to write something for pure joy.

 

At Christmas I was in a cab heading to a London event with my agent. ‘How’s the new thriller going?’ He asked. I fiddled nervously with my seatbelt. ‘I’ve stopped working on it. I’m writing something new. It’s not a thriller.’

‘What is it?’ He asked.

‘I don’t think it fits into a genre.’ I explained the concept to him. ‘It’s just for me. I don’t expect anyone else to love it but I need to do this. To write for the love of it rather than for publication.’

‘Then you must do that,’ he said. ‘And if when you’ve finished it you’d let me read it, I’d be delighted to.’

The book came together quicker than anything I’ve ever written before. I wrote constantly, long hours, every single day, not because of a deadline, not because I had to, but because I wanted to.

A few months later I had a novel I was immensely proud of. Tentatively I sent it my agent, he read it, loved it. ‘I’d like to show your editor this other side to your writing, do you mind?’ He asked.  Although I was worried my publishers might be annoyed I’d spent months working on something outside of my contract, I agreed.

Fittingly I was in Lanzarote again, on the same beach, watching the sun set, when the call came to say that my editor had read it and adored it. She’d shared it with the rest of the team at HQ, Harper Collins who thankfully felt just as enthusiastic. They wanted to make an offer.

I cried. A lot. I’d followed my heart and it had paid off. To celebrate, we drank cocktails on sitting on the sand.

Today, I’m so thrilled to be able share with you that my debut Women’s Fiction novel ‘The Life We Almost Had’ will be published this July by HQ under the pseudonym Amelia Henley (you can read The Bookseller announcement here.)

I shall still be writing thrillers under Louise Jensen, I’ve The Stolen Sisters publishing this October. Next summer there will be another Amelia Henley book – this time the heart-breaking story of Libby and Jack, and a further thriller in the autumn.

I feel incredibly blessed to be able to write in different genres and am hugely grateful to my agent, my editor and the whole team at HQ for supporting me in my new publishing strand. I can’t wait to see ‘The Life We Almost Had’ in the hands of readers. You can pre-order it here.

Follow Amelia Henley on social media to keep up to date with the news on Twitter, Facebook and Instagram.

 

A visit to Keats House & a lesson for all writers

After I’d had such a fabulous time at ID studio in London watching ‘The Family‘ audiobook being recorded (and you can read my behind-the-scenes-blog here) I wasn’t quite ready to go home.

Keats House is somewhere I’d always wanted to visit but never quite got round to. With the sun shining and having heard lovely things about the garden, it seemed a perfect time.

Poetry is something I love to read. As a teenager, I’d often outpour my emotion onto paper but as an adult, I find novels somehow easier to write. I’m a big fan of the romantic poets and standing on the front doorstep, gazing at the house where John Keats wrote much of his work, was an emotional experience.

The house is smaller than it appears from the outside, split over three floors. When Keats lived here it was tinnier still, split into two separate dwellings. He wrote his poetry in the parlour and rented a bedroom.

Before my visit, I was familiar with many of his poems but I didn’t know much about his personal life. I learned that Keats was a medical student, and after receiving his apothecary license which made him eligible to practice as an apothecary, surgeon and physician he decided instead to follow his dream of being a writer.

He lived in poor conditions and constantly worried about money. Sadly he was due to receive over half a million pounds in today’s money in inheritance but it appears he was never told about the money and never claimed it. He moved into this house in Hampstead, originally called Wentworth Place as a lodger.

 

   

In his lifetime he published three poetry books, none of which sold well, and he thought he had failed as a writer.  That nobody would ever be interested enough to want to read his work. Keats is now regarded as one of the greatest poets of our time and it really struck me that, throughout time, markets have changed so quickly. An author may release a book that initially doesn’t do very well but, particularly in today’s digital era, it is never too late for that book to gain popularity. Keats thought his career was over before it had properly begun but his poetry has stood the test of time.

I’m on the cusp of publication of my fifth psychological thriller, ‘The Family‘, and Keats own publishing experience has been a valuable lesson for me. Every writer experiences highs and lows. Of course, I’d love my story to fly, but if it doesn’t there will be other novels afterward. We are all so much more than just one book.

Keats fell in love with Fanny Brawne who lived next door and the things he wrote about her made me smile. I don’t think in this day and age I’d be hugely appreciative if I was told my mouth was bad and good, my hands baddish and my feet tolerable. He also said ‘I shall domesticate her and then marry her.’

Tragically after their engagement Keats developed tuberculosis and despite moving to Rome for the warmer climate he died at the age of only twenty-five.

He was incredibly brave to give up a respected and well-paid career to follow his dreams and such a shame he never lived to see how adored he’d become.

 

 

**Cover Reveal** The Family!!

I am SUPER excited to reveal the cover of my forthcoming psychological thriller, ‘The Family,’ which will be published on 3rd October (6 weeks!!) is available to preorder now here.

My fifth book – (fifth!!) – is the dark, emotional story of Laura and her daughter Tilly and has been getting some amazing early feedback.

Creepy & compelling, another great impossible-to-put-down thriller from the fabulous Louise Jensen.’ B A Paris

‘A clever, addictive thriller about family, loss and lies. Packed full of secrets and twists, it will keep you guessing until the final page.’ Alice Feeney

‘Wow! What a book. I loved it, the pace was fantastic & the relationship between Tilly & Laura was gripping & the love really stood out. I thought I had it all sussed, but didn’t see how neatly everyone was connected. This book is going to fly!’ Darren O’Sullivan

‘Cements Louise as THE writer of beautiful, character-led, yet still page-turningly-good thrillers. This will (and should) be huge.’ Louise Beech

I’ll be sharing more about why I wrote this book and what it means to me, but for now, here’s the blurb:

ONCE YOU’RE IN, THEY’LL NEVER LET YOU LEAVE.

Laura is grieving after the sudden death of her husband. Struggling to cope emotionally and financially, Laura is grateful when a local community, Oak Leaf Organics, offer her and her 17-year-old daughter Tilly a home.

But as Laura and Tilly settle into life with their new ‘family’, sinister things begin to happen. When one of the community dies in suspicious circumstances Laura wants to leave but Tilly, enthralled by the charismatic leader, Alex, refuses to go.

Desperately searching for a way to save her daughter, Laura uncovers a horrifying secret but Alex and his family aren’t the only ones with something to hide. Just as Laura has been digging into their past, they’ve been digging into hers and she discovers the terrifying reason they invited her and Tilly in, and why they’ll never let them leave…

Publishing 3rd October – preorder now.