Behind the scenes of an audiobook recording – #WelcomeToTheFamily

 

Saturday was a very special day for me. I travelled to London to ID Studio to both observe the recording of the audiobook for The Family and to record my own acknowledgments, reader letter and book club questions.

I was met by Rebecca from the Harper Collins Audio Team who was super smiley and far too happy for somebody who had generously given up half of her weekend so I could cross something off of my publishing bucket list.

Inside the studio, the first person I saw looked so much like the Laura I had imagined as I wrote her it seemed too perfect to hope that she might be narrating her but she was! Helen Keeley said hello and thankfully I loved the tone of her voice because I am absolutely no good at masking my emotions.

Emma who works directly for the studio and is a whizz at everything led me to the booth and told me I’d be recording my bit first.

I was super conscious that due to the tight turnaround needed everyone was working the weekend and I was oddly calm (for me) as I vowed to do it in one take.

I didn’t.

Through my headphones, I could disconcertingly hear both myself (do I really sound like that?) and Emma in the studio who was giving me instructions.

The words I thought would phase me (why oh why did I put ‘totalitarian’ in my reader letter) didn’t but for some reason, I was rendered unable to pronounce ‘fifth’ and that word took three attempts. Emma had that wonderful Irish calmness and reassured me (lied) that I was doing okay. Voicing my acknowledgments, thanking my friends and family, as well as everyone who has been instrumental in bringing The Family to life, was so emotive. All too soon my part was over and it was time to settle back and watch Helen in action.

I left the booth and went into the main studio where I could both see and hear Helen. Emma told her to pick up where she had previously left off and… instant panic (I thought my lack of anxiety was strange). Sweat prickled as inside my mind looped the same six words.

Please don’t be a sex scene.

Please don’t be a sex scene.

Please don’t be a sex scene.

Fortunately, it wasn’t (I would totally have had to leave!) Instead Helen kicked off with Chapter Eight which is one of my favourite chapters. It’s the point in the book where Laura has reached rock bottom and this chapter is instrumental in her deciding moving to the commune is her only option. The emotion in Helen’s voice as she read was staggering – you can listen to the thirty-second clip I sneakily recorded below) and my eyes welled with tears (see above – I CANNOT mask my emotions).

Before long we’d reached the point in the story where Laura reaches the commune. As the story is set in Wales I had written the signposts outside of Oak Leaf Farm in both Welsh and English. At this point, Helen paused to listen to the correct pronunciations on her phone before she effortlessly parroted them but I felt awful for not considering as I wrote my story the potential difficulties a narrator might face. I WILL bear this in mind in the future!

After the recording stopped it was great to chat with Helen, Emma, and Rebecca about the audiobook process. I learned that it is the studio that sends over samples of narrators they think will be suitable for certain parts to the publisher (The Family has three narrators for each of the viewpoints).  After narrators are selected it’s a case of liaising with their agents and scheduling their availability with studio availability, always bearing in mind the publication date of the book.

It’s quicker than I thought to record a book – roughly speaking a day is allowed per hundred pages.

As the narrator reads the text is checked by at least one person. While I was there both Emma and Rebecca were reading along to make sure Helen wasn’t inadvertently skipping words or sentences (she wasn’t) as well as catching any last-minute errors in the manuscript.

Every now and then, Helen would ask to redo something and Emma, using Protools software would skip back, deleting previous words. She regularly added markers for beginnings of chapters to make it easy for the next stage – the editing.

This is where the book is tidied up. Any background sound, breathing, swallowing, pops on the mike, etc. is cut out and the whole thing is listened to and checked again. Any last minute pick-ups can sometimes mean the narrators have to rerecord certain bits before it is mastered and finally turned into an audiobook which is sent to the publisher who sends it out to retailers.

I am so grateful to my editor, Manpreet,  for arranging this experience – it meant such a lot to me, and for the team for putting up with me on a Saturday. It is genuinely something I shall never forget.

As I left, I asked Helen what was the thing she most enjoyed about narrating audiobooks.

‘I get a chance to play parts I might not otherwise be cast as,’ she said. ‘Although in your story I’m Laura, in her point of view I have to sometimes portray Alex. There’s no way I’d ever usually get to play the part of a male, Welsh, cult leader.’

She has a point.

‘The Family’ will be published as an ebook on 25th September and on paperback and audio on 3rd October. You can preorder in all formats here.

Do join me at my live Facebook launch party where I’ll be giving away both singed copies of my books, as well as a bundle donated by HQ stories. I’ll also be answering your questions on writing and books. You can find the event here.

#WelcomeToTheFamily

Where do story ideas come from? Everywhere…

My husband had gone to a client meeting, my son had just left to meet friends when I decided to have a break and make a drink. Back in my study, I put my coffee on my desk and it was then I realised, somebody had been into my room.

But I was alone.

Fear prickled at the back of my neck. On my keyboard, was a Biscoff.

‘Hello?’ I called into the silence which now felt heavy and oppressive.

Grabbing my phone, I called my son.

‘There’s somebody in the house,’ I whispered. ‘They’ve left a warning on my keyboard.’

‘A warning or a biscuit?’ He asked.

‘Was it you? But you’re not here?’

‘I found it in my pocket when I got to the bottom of the road and thought I’d pop it back as they’re your favourite. Seriously, mum how could you think it was creepy?’

‘Because somebody could want me to think I’m losing my mind, doubting my reality. They-‘

‘You’ve got an overactive imagination,’ he said.

It’s something I’ve heard throughout my life, usually accompanied by an eye roll and a sigh. My school reports often started with ‘Louise is such a daydreamer.’ I am but now, rather than seeing it as a flaw, as I’ve always been led to believe, I look upon it as something positive. Although gazing out of the window and making up characters in my head may be a problem in many jobs, without my over active imagination I wouldn’t be living out my life-long dream of being an author.

For Mother’s Day, my youngest son bought me a fizzy bath bomb from Lush. We’d not had them before and he wanted to watch as I dropped it into the bath. Just before I let it go he said ‘look mum, there’s a secret message!’

Inside a small hole on the top of the bomb there was a tightly rolled piece of paper.

‘What do you think it says?’ he asked excitedly.

‘I think it says ‘drown, bitch,’ I said. ‘I don’t think it’s supposed to be revealed until you’re in the bath and as you stare in confusion at the words you become aware of someone standing behind you-‘

‘A hand on the top of your head,’ he said (he writes too…)

‘Which pushes you underwater and holds you down until you stop struggling.’

The disappointment when we read it said ‘thanks’ was immense.

My three sons are used to me now. One called me to tell me he’d lost his wallet he quickly followed it up with ‘and no I don’t think anyone will find it and leave my ID at a murder scene.’

‘You never know,’ I said, darkly.

Last weekend, we took our dog for a country walk and my son pointed out the perfect place to hide a body. I didn’t roll my eyes and sigh, tell him he’s got an overactive imagination as though it’s a bad thing. Instead, I encouraged him to explore the idea, write it down. If all potential story-tellers were made to feel having a vivid imagination is a bad thing there wouldn’t be as many books and that would be a very sad world indeed.

Never underestimate the power of a story – My thoughts on genre snobbery

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Recently I had lunch with a fellow psychological thriller writer who was sharing the plot of their current work in progress.

‘That sounds brilliant,’ I said.

They shrugged. ‘It’s not going to change the world or anything, is it? I know I just write cheap entertainment.’

Immediately I pulled out my phone and shared an email I’d received a few days previously.

Dear Louise,

It’s 5am and I’ve just finished reading ‘The Sister.’ I LOVED it so much I thought I’d google you and when I read you were a fellow chronic pain sufferer, and you’d written much of your story throughout the night, I just had to reach out to you. I can so relate to the fact you sometimes use stories to get you through the night, I’m exactly the same but as a reader, not a writer. I’ve had a chronic condition for three years now and although I’d like to say I’m used to it, I’m not. During the day, my pain is manageable. Sometimes a friend drops in although their visits are becoming more and more infrequent as it becomes apparent I’m never going to ‘get better.’ The nights though are different. Long and lonely. I’m too uncomfortable to sleep for long periods and this is the time I feel sorry for myself and sometimes question what the point is to me anymore and my thoughts become really morbid. This is when I open a book and escape. If it weren’t for stories I honestly don’t know where I’d be right now. The characters become my friends. I become so invested in them I stop thinking about myself and worry about them instead. Their world becomes my world, and before I know it, the sun has risen and I’ve made it through another night. It’s such a talent to be able to draw a reader in and I want to thank you for writing books. I honestly don’t know where I’d be without them. Keep at it!

Genre snobbery exists, I know – as a crime writer I’ve experienced it. But I don’t think one genre is better than another. It’s such a privilege as an author to create a world that allows someone whose own world is full of sadness and pain, to escape if only for a short time.

If you’re writing a story and someone asks about it, please don’t say ‘it’s only…’ because you never know when your book might change a life, or save a life.

All fiction can lift and heal. Words can illuminate the dark.

The BIG editing lesson I learned writing The Surrogate #WritingTips

Today is the UK paperback publication of my third psychological thriller, The Surrogate (US paperback publication will follow later this year).  Although I’ve learned from every book, it was this one in particular where my editor gave me a piece of advice that has always stayed with me.

When I shared with my sister that I’d be writing a book about surrogacy she told me that she though the subject was too limiting. That the story would be predictable. I was determined to prove her wrong.

The Surrogate features Kat and Lisa, childhood friends, and Kat’s husband, Nick. They are all keeping dark and damaging secrets. I never plan when I write. I had a vague idea of who might be bad and who might be good but as I got deeper into the story the characters pulled me in unexpected directions. The plot became more complex than anything I thought I was capable of constructing.

As the ending gathered pace I layered twist upon twist, they tumbled onto the page as they tumbled out of my head, until finally the story reached its dramatic conclusion.

Nervously, I sent it over to my editor.

‘This is a phenomenal story’ her feedback began, ‘but…’ my heart sank ‘you’re not giving your twists time to breathe.’

I wasn’t entirely sure what she meant until I reread my manuscript. There wasn’t time to process each revelation before another one hit. It had been exhausting writing it. It was equally exhausting reading it. Rather than the pacy, hard hitting ending I thought I’d written it was confusing, lurching from one reveal to another.

She suggested taking out several twists which I was reluctant to do, so I set about rewriting the end.

For the twist she’d classed as ‘the big one’ I ensured I had no other reveals in this chapter. For other twists I moved a couple so they were away from the end. For most I lengthened the chapters so they weren’t so crammed together, particularly the epilogue which contains several.

Rereading it, I could see the difference. There was time to rest back, to process the turns of the story before it once more turned on its head.

There’s nothing I like more than pulling the rug from under the readers feet. To lead them to think they’ve got it all figured out when they haven’t. My stories always contain multiple twists. Now I’ll always give them time to breath.

You can read the opening of The Surrogate here and buy it on your local Amazon here. It is also now available in Tesco, Asda, Sainsbury’s & all good book shops.

Diamonds & Dust #FlashFiction

Image courtesy of Roger Bultot

 

Nothing. I’ve nothing except dust and junk. Mama’s attic virtually bare now. Opening the last box, I’m hit by colour and memories as vibrant as the shimmering material I find myself clutching to my chest, which aches with longing.

‘Do you have to go?’ I’d asked.

‘It’s how we’ll make our fortune.’ Mama kissed my nose as she set off for another long shift, sewing clothes for the ungrateful jewellery maker’s wife.

I lift the dress to the light. It’s heavy. Surely too heavy? The sparkles too bright to be fake?

I remember the headline ‘Missing diamond mystery.’

Perhaps I have something after all.

 

Happy New Year! Tomorrow, Thursday 4th January, at 19.30 GMT I’m live on the Facebook Group Crime Book Club, answering questions about writing, publishing and books as well as discussing my latest novel, The Surrogate. Whether you’re a reader or writer do pop over and join me if you can. You’ll need to join the group first here.

Diamonds & Dust was written for Friday Fictioneers. A weekly 100 words story challenge inspired by a photo prompt and hosted by Rochelle. You can read the other entries here

15 minutes – #flashfiction

Image courtesy of J Hardy Carroll

 

 

The camera flashes are as dazzling as my smile. Angling my body, I suck in my stomach. All I ever wanted was to be famous.

‘Silly cow.’ You slammed your fist into my face. ‘Ain’t nobody never gonna wanna look at you.’

But you were wrong, weren’t you?

‘How are you going to plead?’ I am asked again. Already the papers are calling me Sleeping Beauty. I’d stabbed you while sleepwalking – allegedly anyhow. Now everyone knows my name. My solicitor says he’ll line up talk shows once I’m acquitted.

I push out my chest as I’m led into the court. It’s my time to shine.

 

I am ridiculously excited that tomorrow is paperback publication day for The Gift in the UK! I can’t wait to visit the bookshops & supermarkets & see my second psychological thriller on a shelf. Tesco have an exclusive edition with a short story in I’ve written especially for their customers. Don’t think I’ll be getting much sleep tonight!

’15 minutes’ was written for Friday Fictioneers. A weekly 100 word story challenge inspired by a photo prompt. Hop over to host Rochelle’s blog to join in. 

#GIVEAWAY – Audiobook of The Gift

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I am so incredibly grateful for all the support I’ve been shown during the launch of my second novel, The Gift, and absolutely delighted it has now been No.1 on Amazon in the UK for over 4 weeks and is in the Top 10 in Psychological Thrillers in the US, as well as debuting on the USA Today BestSellers List this week.

As a thank you I am giving away two audio versions of the book, narrated by the super talented Jasmine Blackborow (I’ll supply codes which can be redeemed on Audible). To enter either click this link to my Facebook post to nominate someone you would like to gift a copy of the audiobook to, or follow this link to my Twitter page and retweet to win a copy for yourself (you can enter both if you wish).

The competition is open to all and winners will be generated at random on Sunday 22nd January.

Thanks again.

Louise x