Yesterday evening I took part in an ‘In Conversation’ event at Waterstones, Milton Keynes with Sarah Pinborough. I love events such as these, not only because it’s a chance to shed my pyjamas, put on some adult clothes and leave the house, but because it’s a chance for me to learn from other authors and last night I did exactly that.
Sarah is a writer I have much admired – if you haven’t yet read her books you really should , ‘Behind Her Eyes’ was one of my favourite reads last year and I was keen to know EVERYTHING about her writing process.
One thing I often struggle with when crafting my novels is my inability to plan. I’ve bought SO many books on the subject, signed up for online courses, but still find the concept quite bewildering. With experience in scriptwriting and twenty novels behind her (20!!) I couldn’t wait to hear how Sarah approaches a first draft.
‘I’ve tried to do that with my last three books,’ I told her. ‘It’s failed each time. I don’t think my mind works that way.’
‘How long did you try for?’ She asked.
‘It takes me six weeks to plan a novel.’ She said.
Instantly, I broke out into a sweat. The thought of six weeks not actually writing the book induced an ‘I’m going to fall too far behind my schedule’ anxiety.
Sarah told me that was where I was going wrong. ‘Thinking about the story, the twists, the reveals is valuable time spent. It matters just as much as hitting that word count.’ She went on to say that once she has spent her six weeks planning, she writes the book in roughly five months.
We differed greatly in our approaches to work. I am structured, at my desk for eight hours a day. Sarah prefers to write in the mornings and then step away from her laptop. This is when she finds the ideas flow best.
I realised, on the journey home, that each time I open social media and read another ‘I’ve written XX words today!!’ post by an author that I was feeling inadequate about my own daily word count (approximately 1500 words) and I haven’t been allowing myself time away from my manuscript to think properly about where it should go.
Since ‘The Family’ was released two weeks ago I’ve had so many lovely reviews about how tightly plotted the story, featuring a Mother & Daughter who find themselves lured into a creepy commune and find themselves unable to leave, is, and how many unexpected twists there are, but the truth was I became completely stuck writing my fifth psychological thriller.
I needed a dead body for the story (this is in the blurb so not a spoiler) and I didn’t know who the body should be. I wrote several chapters with one character but then realised I needed them later on. I deleted those and rewrote with a different character dying but that didn’t feel right. For weeks I rewrote the same chunk of story with virtually every character being the body until I settled on the right person. Reader reaction to the reveal has been how clever it is that the body ties up all of the strands of the subplots but it wasn’t an easy write.
Thanks to Sarah, I feel a certain sense of freedom now in knowing that even if I don’t write for a period of time it will allow me to think creatively and it won’t be wasted time. Each writer approaches the process differently, there really is no right or wrong, but I’m very open to trying something new.
I’m going to be chatting to Sarah more about how she actually plans so watch this space…
You can find Sarah’s novels, which I highly recommend, here.