Ghost writing vs publishing your own novel – Emma Rowley tells all

Today, on my blog, I’m delighted to welcome psychological thriller and ghost writer Emma Rowley and chat to her about her newly published thriller as well finding out a little more about ghost writing. 

Tell me about your new novel You Can Trust Me – what’s it about?

It’s a psychological thriller about a ghostwriter, Nicky, whose new client Olivia is an Instagram influencer with an apparently picture-perfect life. Her job is to help Olivia to write a book – sharing all her lifestyle tips and tricks – but she soon finds out there are things Olivia just doesn’t want to talk about … and her beautiful family home harbours some dark secrets.

What inspired it?

My own experiences as a professional ghostwriter. I’ve got on with all my clients, but it is definitely a relationship that can be quite intense – you are asking someone to tell you all about themselves, so there is a lot of trust involved. ‘You know everything about me,’ a client told me once. ‘But I don’t know anything about you…’ She just wanted to get to know me a bit better, but I remember thinking even then, that sounds so sinister! I knew that one day I’d write a book about a ghostwriter relationship that goes very wrong.

What exactly does a ghostwriter do?

Basically, it’s a collaborative process where I help someone write their book. A lot of people will need a hand with getting their thoughts down on paper, or structuring them into an actual book, which might be up to 90,000 words. How it works normally is, I will interview someone over a period of weeks, in person or over the phone, then I will go away and use all that information to write a draft that we will work through together, making changes so that they are totally happy with it. The key is to capture their voice as much as possible, so it really feels like their book. Over the years, I have worked with everyday people who have incredible stories to tell, as well as celebrities – but I’m afraid no, I can’t say who!

How did you get into that?

Through working as a journalist for years – there are similar skills involved, in terms of asking the right questions, listening closely to what people say, and organising all the material you collect into something that’s cohesive and readable. Funnily enough, It meant that by the time my debut novel, Where The Missing Go, came out in 2018, I had already written half a dozen books already, albeit under other people’s names (and they were all non-fiction).

What’s it like to switch from ghostwriting to fiction?

Actually, I still work as a ghostwriter – I never stopped! The advantage that gave me, as I set out to write fiction, was that I knew I could finish writing a book, at least, which gave me confidence. And capturing people’s individual voices for their books – making sure I had the right turn of phrase, vocabulary and rhythm – was great practice for making sure my first-person narrators had distinctive voices, particularly as I like to write books with more than one narrator.

What was it like to see your own name on a book you’ve written, rather than someone else’s?

It was wonderful! Writing my own books, rather than helping other people write theirs, was a totally different experience. I actually found it more difficult to write fiction, as you have to conjure up everything yourself – with a ghostwritten book, someone else is sharing their thoughts and experiences, of course. But I love it – my latest book, in particular, is so personal to me.

It sounds fabulous! Thanks for chatting to me today and wishing you lots of luck with ‘You Can Trust Me.’

Emma’s first thriller Where The Missing Go was a 2020 Edgar Award nominee. Her new book You Can Trust Me was published in paperback on September 3 by Orion

Amazon: https://www.amazon.co.uk/dp/1409175804

Blackwell’s: https://blackwells.co.uk/bookshop/product/9781409175803

Audible:https://www.audible.co.uk/pd/You-Can-Trust-Me-Audiobook/1409186334

A very different Paperback Publication Day!

It seems an age since I stood on the beach in Lanzarote, shielding my eyes as I gazed into the sea, my mind playing out an intensely emotional scene, a scene which changes everything my characters Adam and Anna thought they knew about life and love. As I researched this stunning location before returning to the UK to meet with a leading Neuroscientist to discuss whether my unusual concept could credibly work, the day I might potentially see my story on a bookshelf seemed so far out of reach.

But now, that day is here! It’s paperback publication day for ‘The Life We Almost Had’!!

The eBook has already been a No. 1 bestseller and my reviews have been stunning.

‘A love story with a definite difference . . . intensely emotional’ Best Magazine

‘Beautifully written and plotted. Get ready for the final chapter – you have been warned’ Candis Magazine

‘Intriguing, unusual and intensely romantic’ Sunday Mirror

Gripping, heartbreaking & completely original. ‘The Life We Almost Had’ is like nothing I’ve ever read.’ Clare Empson – Author

You can watch me reading the opening here.

Launching a debut in a pandemic is challenging. All events were cancelled for this year. Today is the busiest day in the publishing calendar and with the bookshops and supermarkets trying to catch up with all the big books which had their publication date pushed back there is very little space for the smaller books and debuts. I’m so very grateful to my editor and the team at HQ Stories who have remained so passionate about launching Anna and Adam into the world. My publisher will be giving away paperbacks of ‘The Life We Almost Had’ all day today via their Twitter page so do pop over and check it out.

Last month, for my digital publication day I had a live FB/insta launch which was great fun. Tonight should have been my book launch at Waterstones, a chance to thank my family and friends for their support, and to eat cake of course.

One thing I am vocal about is marking ever single success in publishing, however small, because in this industry there are many unavoidable lows. Finishing that first draft, ironing out a synopsis, or in the case of today, publishing a book, and despite the current circumstances I’m going to do just that.

I’m having a lunchtime celebration via zoom with my editor, agent and the wonderful team at HQ who worked so hard on this book (and publishing a novel really does take a village). Afterward, I’m heading straight to Tesco, seeing my story on a shelf will be such a special moment. Between 2-4 there is a very special publication day party over on Radio Chiltern where I, and several other authors who are publishing today will be chatting to host Antonia Honeywell about our books and choosing a song relevant to our characters (you can listen here).  Tonight, my husband is taking me out to dinner. We’ve booked an outdoor table at a lovely pub with far reaching countryside views, this means we can take Granger who has never once covered his ears with his paws while I’ve unloaded any potential plot problems on him. Fingers (and paws) crossed it doesn’t rain!

BIG thanks to everyone who as supported my Amelia Henley journey and if you’re one of the readers who have left one of the moving reviews on Amazon I really am HUGELY grateful. Some of the reviews have been so emotional they’ve moved me to tears, but I’ll leave you with this one which made me smile.

‘Adam & Anna fall in love on holiday, as you do. That’s as normal as this novel gets…’

The Life We Almost Had‘ is available all digital platforms. Download it from Amazon, iBooks, Kobo or Google. It is also an audiobook.

As well as on Amazon, you can find the paperback in Tesco, or Waterstones or support your local bookstore. Book stores are always happy to order in a title they don’t have in stock.

How I tackle edits – Novel Writing – 10 editing tips

Today I’ve received my edits for my second Amelia Henley novel which will be published next July. I admit, that I’ve been a little worried about this story. Since writing it, my debut contemporary fiction book ‘The Life We Almost Had’ has been released on eBook (it’s currently 99p) and the reviews have been STUNNING, they’ve really taken my breath away. Readers have said Adam and Anna’s unusual love story will always stay with them so Jack and Libby have A LOT to live up to next year. Thankfully my editor has called my second commercial fiction book ‘another pretty epic love story’ so that’s a relief.

Receiving feedback can be overwhelming. As authors we send off the best version of our manuscripts and hope that our editors love it and it can be easy to believe they don’t when the notes come back with suggestions of changes. I remember that prior to signing my first book deal I asked my editor, Lydia, who had made the offer what she wanted to change with my debut psychological thriller, ‘The Sister,’ I’d already turned down an agent’s offer because they wanted me to completely restructure it. Lydia assured me she loved it and in my naivety I thought that my work was done. When she returned my manuscript with track changes (which I had never seen before) I was HORRIFIED. We spoke on the phone immediately.

‘I thought you loved my story?’ I wailed.

‘I do,’ she assured me.

‘But you’ve sent it back and it’s covered in… RED.’

She explained that even though there were no major structural changes to be made there was work to be done (and then copy edits and then the proofread, and then the typesetting…) She was immensely kind and patient guiding me through the process which felt enormous.

For those early books I would read my editorial notes, cry, panic (repeat several times) and then write an email questioning everything and then cry and panic a bit more until Lydia calmed me down.

Now I know it’s essential to take time to digest the suggestions before even thinking about tackling them.

Today, I read my notes and then went for a walk to ponder them over. When I got home I opened up my manuscript in Scrivener which is where I prefer to work until the copy edit stage and I opened up my editor’s track changed Word document side by side. I copy and pasted all of her notes into Scrivener in the appropriate sections placing an XX before each one and then I stepped away. I’ll give myself 24 hours thinking space before I tackle any writing. Tomorrow I’ll do a document search for each XX and make the majority of the suggested changes before reading it through again and expanding or cutting anything else I feel needs it. If there’s anything I don’t want to change I will contact my editor and explain why and we can talk it over.

My editor, Manpreet, is fabulous. She took a chance on ‘The Life We Almost Had’ a love story with a very unusual concept and a twist and understood completely what I wanted to do with it so I trust her BUT I don’t want to rush in and chop bits out if I’m not entirely sure it’s the right thing.

Remember: –

  • Don’t panic.
  • Take some time to digest the suggestions.
  • Your editor does love your book or they wouldn’t be publishing it.
  • Everybody has a vested interest in making the story the best that it can be.
  • Writers can become too close to their characters to be objective.
  • There’s no right or wrong way to tackle edits, you’ll find your own way of working and that might change with every book.
  • If it all seems too much try writing list – everything seems more manageable with a plan.
  • Ultimately it’s your name on the cover so if you feel you don’t want to change something tell your editor why – they won’t (shouldn’t) bite.
  • The end is in sight!
  • When you can’t bear to read through your story one more time and hate the sight of it you’re probably done!

If you’ve any editing questions I’ll be chatting live on my Facebook page on Thursday 20th August at 3pm GMT about ‘The Life We Almost Had‘ but do come & ask your writing/publishing questions.

The Life We Almost Had‘ is currently 99p across all digital platforms during August. Download it from Amazon, iBooks, Kobo or Google.

You can preorder the paperback from Amazon or Waterstones or support your local bookstore. 

 

Book Clubs – The good, the bad & the boring… #reading

I love discussing books. All of my novels have book club questions at the back and writing questions that I know will spark interesting discussions is such a joy.

I’ve always been an avid reader. As a child I was the only one in my family who read, my friends didn’t seem to share the same intense love of books that I did and subsequently I always felt a little… odd.

After having children, some of the other mums at the school gate suggested forming a book club and I was overjoyed. Every fortnight, for three hours I’d be able to talk about plot, characters, twists. I couldn’t wait.

What actually happened was we met in a bar. Whoever chose the book would say ‘it was ok,’ most people hadn’t read it and then we’d drink and talk about our kids. We had some good nights but…

When I moved to a new area I googled ‘book clubs’ and much to my joy I found one. I emailed the organiser who, after asking me a lot of questions, invited me along to the next session. I immediately bought their current read and when it came curled up in an armchair determined to finish it before the meeting.

It. Was. A. Slog.

I’m all for broadening my horizons and reading outside my usual genres but on the first page alone I had to look up multiple words in the dictionary and that carried throughout the novel (I don’t use the word story here because I wasn’t convinced there was one).

I went along to the group, clutching my paperback, looking forward to meeting new people and hearing what they thought. They had A LOT of thoughts. I needed my dictionary again. I sat miserably nursing my cooling coffee (“we may meet in a pub but we don’t drink alcohol while we’re discussing literature, Louise”) and I felt out of my depth, stupid. Lonely. I never went back.

It’s taken years but finally I have found a book club full of members who are friendly, welcoming and love reading as much as I do. Surprisingly it’s online which I always thought would feel detached but, over time, I’ve got to know a lot of the members who I now class as friends. This Facebook group, The Fiction Café, is run by Wendy Clarke who is one of the nicest people I have met (and this group do physically get together for events when they can). I’m in awe of her and the admins who put in hours tirelessly running author live events and buddy read alongs. My only fault with this group is that every time I drop by I end up buying recommendations and my TBR pile is out of control!! If you’re a book lover of any genre do check them out here.

Also, a shout out to Book Connectors run by super blogger Anne Cater. This group is a mixture of bloggers, authors and readers and I love reading the bloggers book posts about forthcoming releases they have already had the chance to read. There’s also some interesting discussions about publishing in this group. Anne doesn’t stand for any nonsense and it feels like a very safe space to speak. You can find Book Connectors here.

My publisher HQ, Harper Collins, is currently hosting an online book club every Thursday afternoon. This Thursday I’m the featured author and will be talking about my newly published debut contemporary fiction book ‘The Life We Almost Had’ written under my penname Amelia Henley. With my research taking me from Lanzarote to Magdalen College in Oxford where I studied neuroscience there’s LOTS to talk about with this very unusual love story.

If you haven’t read the book yet you can buy it this week for 99p across all digital platforms – links below. If you buy the Kindle version (or have already bought it) you can add the audiobook for just £3.47.

Do give it a read and join my Thursday at 3pm GMT on my Facebook author page and I’ll be answering all your questions. Here’s a link to the prologue if you want a taster.

The Life We Almost Had‘ is currently 99p across all digital platforms during August. Download it from Amazon, iBooks, Kobo or Google.

You can preorder the paperback from Amazon or Waterstones prior to its 3rd September release or support your local bookstore. 

Prologue – The Life We Almost Had

I do love a prologue (and writers you can read my previous post on whether to include one in your book here).

I’m delighted to share the opening of my debut contemporary fiction novel, ‘The Life We Almost Had,’ published under the pen name ‘Amelia Henley.’ I’ve absolutely loved writing Anna and Adam’s love story with a twist. (You can find it on Amazon here for just 99p right now).

 Prologue

Seven years. It’s been seven years since that night on the beach. I had laid on the damp sand with Adam, his thumb stroking mine. Dawn smudged the sky with its pink fingers while the rising sun flung glitter across the sea. We’d faced each other curled onto our sides, our bodies speech marks, unspoken words passing hesitantly between us; an illusory dream. Don’t ever leave me, I had silently asked him. I won’t, his eyes had silently replied.

But he did.

He has.

My memories are both painful and pleasurable to recall. We were blissfully happy until gradually we weren’t. Every cross word, every hard stare, each time we turned our backs on each other in bed gathered like storm clouds hanging over us, ready to burst, drenching us with doubt and uncertainty until we questioned what we once thought was unquestionable.

Can love really be eternal?

I can answer that now because the inequitable truth is that I am hopelessly, irrevocably, lost without him.

But does he feel the same?

I turn the possibility of life without Adam over but each time I think of me without him, no longer an us, my heart breaks all over again.

If only we hadn’t…

My chest tightens.

Breathe.

Breathe, Anna. You’re okay.

It’s a lie I tell myself but gradually the horror of that day begins to dissipate with every slow inhale, with every measured exhale. It takes several minutes to calm myself. My fingers furling and unfurling, my nails biting into the tender skin of my palms until my burning sorrow subsides.

Focus.

I am running out of time. I’ve been trying to write a letter but the words won’t come. My notepaper is still stark white. My pen once again poised, ink waiting to stain the blank page with my tenuous excuses.

My secrets.

But not my lies. There’s been enough of those. Too many.

I am desperate to see him once more and make it right.

All of it.

I wish I knew what he wanted. My eyes flutter closed. I try to conjure his voice. Imagining he might tell me what to do. Past conversations echo in my mind as I search for a clue.

If you love someone, set them free. He had once told me but I brush the thought of this away. I don’t think it can apply to this awful situation we have found ourselves in. Instead I recall the feel of his body spooned around mine, warm breath on the back of my neck, promises drifting into my ear.

Forever.

I cling on to that one word as tightly as I’d once clung on to his hand.

I loved him completely. I still do. Whatever happens now, after, my heart will still belong to him.

Will always belong to him.

I must hurry if I’m going to reach him before it’s too late. There’s a tremble in my fingers as I begin the letter which will both an apology and an explanation, but it seems impossible to put it all into words – the story of us. I really don’t have time to think of the life we had – the life we almost had – but I allow myself the indulgence. Memories gather: we’re on the beach watching the sunrise; I’m introducing him to my mum – his voice shaking with nerves as he said hello; we’re meeting for the first time in that shabby bar. Out of order and back to front and more than anything I wish I could live it all again. Except that day. Never that day.

Again the vice around my lungs tightens. In my mind I see it all unfold and I feel it. I feel it all; fear, panic, despair.

Breathe, Anna.

In and out. In and out. Until I am here again, Pen gripped too tightly in my hand.

Focus.

I made a mistake.

I stare at the words I have written so intently that they jump around on the page. I’m at a loss to know how to carry on when I remember one of the first things Adam had said to me ‘start at the beginning, Anna.’

And so I do.

Speedily, the nib of my pen scratches over the paper. I let it all pour out.

This is not a typical love story, but it’s our love story.

Mine and Adam’s.

And despite that day, despite everything, I’m not yet ready for it to end.

Is he?

The Life We Almost Had‘ is currently 99p across all digital platforms during August. Download it from Amazon, iBooks, Kobo or Google.

You can preorder the paperback from Amazon or Waterstones or support your local bookstore. 

 

Choosing the right location for a novel – writing

An important decision any writer needs to make is where to set your novels. The right location can really highlight the genre and set the mood. There are advantages of using a genuine place; readers who are familiar with it can instantly place themselves in the location, and disadvantages; landscapes can change so quickly and if you get any of the details wrong this can be jarring.

For my early novels where locations didn’t matter to the story so I kept things deliberately vague, never naming a town or stating exactly where it was supposed to be. Name generators on Google were my friend although this almost backfired once after naming a village ‘Therinsborough’. My editor immediately flagged this with a ‘Didn’t you ever watch Neighbours, this sounds very close to Erinsborough, Louise….’

My latest two novels however, are a little different. For my forthcoming psychological thriller, ‘The Stolen Sisters’ I use the location where the Sinclair Sisters, Leah, Marie and Carly, are taken and held captive almost as another character. The description of the abandoned site where they are held adds another chilling layer to their story and really creates a dark atmosphere. To find the perfect location, I spent hours trawling through urban explorer sites and watching YouTube videos until I stumbled across the perfect place. Here I could envisage these three young sisters huddled together, cold and scared, but also telling stories and making up games to support each other through their ordeal. The stark, cold, decay of their rooms contrasting with the warmth of their loving relationship which shines through the pages. I’ll be sharing these real life photos closer to the 1st October publication.The idea for my debut contemporary fiction novel, ‘The Life We Almost Had’ came to me in Lanzarote. I was gazing out to sea and, in my imagination, I saw a shocking scene play out before my eyes, like a movie. Instantly I knew I had to write the unusual story I had imagined.I wanted to base the novel on Lanzarote but as this love story has a futuristic element I needed to build a Scientific Research Centre on the north of the island and so I renamed my island Alircia (although I still secretly call it Lanzarote). I use the blue skies and sparkling seas to paint a warm and loving picture. We’re with the couple as they fall in love and visit the tourist attractions that I also visited – (using a real location has the added bonus of research trips!) – the house of writer Jose Saramago, the lava caves, Jameos del Aguo, the markets and of course, the place where the story circles back to, the beautiful cove at Playa Blanca where couples fasten lovelocks.I was so utterly invested in Anna and Adam’s love story with a twist that I bought them a lovelock even before I had even put pen to paper.When Anna and Adam return to the UK things get drab and bleak, much like the weather. Life throws them on to an unexpected path. Both keeping secrets, they return to their beloved Alircia to try to fix their fractured relationship but a tragedy forces them apart. Will they take the ultimate risk for a second chance at their love.You’ll have to read the book to find out!

The Life We Almost Had‘ is currently 99p across all digital platforms during August. Download it from Amazon, iBooks, Kobo or Google.

You can preorder the paperback from Amazon or Waterstones or support your local bookstore. 

Pre-order ‘The Stolen Sisters’ here.

Both books are available as ebooks, audiobooks and paperbacks.

 

 

How do writers research? My top 10 tips!

 

One of the things that put me off writing a book for years (other than fear of failing, fear of making a fool of myself, fear of being terrible at writing and shattering my author daydreams) was the research. How did writers know all the things that went into their books? I guessed that high profile authors, perhaps had police contacts on speed dial to check out procedures but what about the rest of us? Those starting out? What happens when Google just doesn’t cut it?

Writing ‘The Sister’, I shied away from including anything I didn’t know much about which left…. very little content. I had to reach out to experts and the thought terrified me.

I remember, with clarity, the way my hands shook, palms sweated, as I made my first call to the fire department to ask for their advice (and no, I didn’t ring 999 claiming a plot emergency) tentatively explaining I was writing a book and wanted to be as accurate with the details as I could. I was told someone would call me back. Despondent I hung up, sure I’d never hear from anyone. Later that afternoon my phone rang, a man introducing himself as Chief Inspector and my heart skipped beat, certain I was about to be arrested for wasting time, but he was lovely and helped enormously. His advice changed the whole scene and he worked on the detail with me until we were both happy.

I realised then that most people are happy to talk about the things they have a passion for and knowledge of. Since ‘The Sister’ I’ve spoken to numerous people about various things – the concept of cellular memory for ‘The Gift’ (a heart retaining memories of its donor so the recipient knows things they shouldn’t…) Prospagnosia (Face Blindness) for ‘The Date’, surrogacy and law for ‘The Surrogate’, brainwashing for ‘The Family‘ and kidnapping for the forthcoming ‘The Stolen Sisters‘.

One of the most interesting things I have researched is neuroscience for my latest publication ‘The Life We Almost Had’ which is my debut contemporary fiction novel published under my pen name ‘Amelia Henley’. I’d become fascinated with consciousness and, for fun, I wanted to write a story set in current times but to expand on scientific elements for part of the plot (and yes I know this sounds vague but I don’t want to give spoilers).

I called up Magdalen College in Oxford and explained what I was doing and they invited me to sit in on some lecturers. I met some of the world’s leading experts in their field and I found it so enjoyable so much so that I’ve been looking into formally studying science in some capacity.

There’s a danger, when authors research, that they want to put everything they’ve learned into the story because they’ve spent so much time learning and because they’ve found everything so interesting and this is something I definitely had to bear in mind with ‘The Life We Almost Had.’ At it’s heart, it’s a sweeping love story and I often found myself cutting out technical explanations that I knew some readers would find boring, and getting back to Adam and Anna’s tangled relationship.

Writing ‘The Life We Almost Had‘ took me to Lanzarote where much of the story is based. Research trips are great fun sometimes so much so I forget to do the actual research…

Here are my top tips for researching: –

  • Take the time to choose who you think can best help you carefully, for instance there are many different types of lawyers, doctors etc.
  • Approach people respectfully – I never ask questions in my initial email but rather ask if they’d be willing to answer questions and I let them know roughly how many or how much time I think I’d need for a phone chat.
  • Don’t fire off the same email to dozens of people asking for help and waste people time if they all reply.
  • Plan ahead so you can continue writing while you wait for a response. Appreciate people are busy and they might not get back to you straight away.
  • Also make sure you have your questions ready before you ask for help. For the book I’m currently writing I emailed a charity, assuming that because of the pandemic they might not have the time or staff to get back to me at all and they called me five minutes later and I wasn’t prepared!
  • Don’t include everything you’ve learned however interesting, ask yourself ‘does the reader need to know this and does it move the plot forward’.
  • Blogs are a great place to find people who want to talk. I found many transplant patients this way who were happy to share their experiences with me.
  • Remember that although books are entertainment as a writer you are dealing with experiences that people have lived through. Be kind. Be sensitive.
  • Don’t assume everyone wants to be in the acknowledgements. After someone had helped me I mentioned in passing I’d thank them at the end of the book and they asked me not to as they didn’t want their boss to know they’d divulged information.
  • It’s okay to take artistic license to suit the story but I always state in my acknowledgements if I’ve done this (in ‘The life We Almost Had’ I credit a neuroscientist but mention I’ve had to progress science to fit my story.)

The Life We Almost Had‘ is currently 99p across all digital platforms during August. Download it from Amazon, iBooks, Kobo or Google.

You can preorder the paperback from Amazon or Waterstones or support your local bookstore. 

Find my psychological thrillers on Amazon here.

All books are available as ebooks, audiobooks and paperbacks.

Publication day & it isn’t quite what I’d thought…

 

Ever since I read Little Women as a child I’ve dreamed of publishing an emotive story that will make readers cry…. that day has come! My debut contemporary fiction novel, ‘The Life We Almost Had‘ (written under my pen name Amelia Henley) is landing on people’s kindles RIGHT NOW across the UK (other countries to follow). Although the early Netgalley and blogger reviews have been amazing it’s still a nerve wracking time for a writer. It sounds mean but each time a reader has emailed me to say the story made them cry I’ve been secretly pleased.

Launching a debut during a pandemic has meant there have been no promotional events, no physical book launch, and many stores right now are only taking stock from established writers but these are small issues comparatively speaking and I feel so grateful to everyone who has worked so hard behind the scenes to keep producing books during these unsettled times. I take great comfort in fiction, as I know others do too.

I’d had the idea of Adam and Anna’s emotional love story while I was on holiday in Lanzarote but as I was already contracted to writing thrillers I tried to put it out of my mind.

I couldn’t.

Their story was so unusual it was impossible not to think about it and so I decided to write it in my spare time. (Full time job – writing. Hobby – writing. I really am quite boring…). There was such a sense of freedom exploring their relationship which has so many twists and turns, without a contract I didn’t have to think about the confines of genre or how commercial it was.

My research took me from Lanzarote to Magdalen College in Oxford where I studied consciousness and neuroscience (did I mention this isn’t a typical love story) and if I’d a publisher waiting for it I might have been hesitant about incorporating technology into my story but I followed my heart and wrote the book I’d love to read and I am immensely proud of it.

I feel so blessed that when it was finished my editor loved it and offered to publish it even though I wasn’t entirely sure what genre to describe it was – ‘At it’s heart, it’s an epic, heart wrenching love story,’ she said and it is. One filled with hope, loyalty, courage and friendship that asks how far you’d go for a second chance at first love.

It will be hard letting go of Adam and Anna and this story which was inspired by, and dedicated to, my wonderful brother-in-law Glyn who we sadly lost during lockdown, 2 days before my paperbacks arrived I wish he were here to see his name on the dedication page and know how much he meant to me. I shall be raising a glass to him tonight on this bittersweet day.

These are such strange times we are living in. Stay safe and keep reading.

Louise x

The Life We Almost Had‘ is on Amazon here as an ebook, paperback and audiobook or support your local bookstore who can order a copy in. (Paperback Publication 4th September).

 

Come and meet Oliver Chapman from Amelia Henley’s debut, The Life We Almost Had #CharacterSpotlight @MsAmeliaHenley @HQstories @Fab_fiction

On Emma’s wonderful blog today you can meet Dr. Oliver Chapman from my debut love story ‘The Life We Almost Had’ which publishes tomorrow under my pen name ‘Amelia Henley’, and find out why this is not a typical love story…

Emma The Little Bookworm

I am over the moon to welcome Amelia Henley to my blog today as I jump on-board her blog tour in place of someone unable to post as planned.

Now, for those of you not in the ‘know’… Amelia Henley is the pen name of Louise Jensen as she takes a step away from her psychological thrillers and ventures into a new genre and trust me, you do not want to miss this one! It looks and sounds like a romance, and while love is at the heart of Anna and Adam’s story, there is SO MUCH MORE to this. Henley maintains Jensen’s flair for the unexpected. The story is twisted and different, and actually just as thrilling as her other books.

So, anyway, today I’m joined by Amelia to introduce you all to one of her main characters, Oliver Chapman…

Hello, Amelia! Can you tell us a bit about…

View original post 704 more words

The paperbacks I didn’t want to hold…

A couple of days ago my dreams came true when a big box arrived from Harper Collins publishers. I knew it was my debut love story, ‘The Life We Almost Had’ which publishes this July under the pen name ‘Amelia Henley’.

“But that’s not your name”, says Granger.

As this is a completely different genre for me my editor wanted to keep this strand of publishing separate to my thrillers (of which a new one, The Stolen Sisters, is coming soon…)

Usually, I’d unbox my books within seconds but, because of the virus, I cautiously left them by the front door until this morning.

The cover is beautiful and I couldn’t be prouder of this unusual love story featuring Adam and Anna, characters who will always stay with me. This novel is, in part, set on a Spanish Island based on Lanzarote which is one of my favourite places in the world. It’s a story of love, loyalty, hope and courage and asks how far you’d go for a second chance. The risk Anna takes could have potentially devastating consequences…

I’m thrilled that early reviews have been so positive and I can’t wait to get this story into the hands of readers. The ebook and audio will be published next month, with the paperback coming in September. All available to preorder now in the UK from Amazon here, or from your local bookshop.

Here’s the blurb: –

This is not a typical love story, but it’s our love story.

Anna wasn’t looking for love when Adam swept her off her feet but there was no denying their connection, and she believed they would be together forever.

Years later, cracks have appeared in their relationship. Anna is questioning whether their love can really be eternal when a cruel twist of fate delivers a crushing blow, and Anna and Adam are completely lost to one another. Now, Anna needs Adam more than ever, but the way back to him has life-changing consequences.

Is a second chance at first love really worth the sacrifice? Anna needs to decide and time is running out…