Behind the scenes of an audiobook recording – #WelcomeToTheFamily

 

Saturday was a very special day for me. I travelled to London to ID Studio to both observe the recording of the audiobook for The Family and to record my own acknowledgments, reader letter and book club questions.

I was met by Rebecca from the Harper Collins Audio Team who was super smiley and far too happy for somebody who had generously given up half of her weekend so I could cross something off of my publishing bucket list.

Inside the studio, the first person I saw looked so much like the Laura I had imagined as I wrote her it seemed too perfect to hope that she might be narrating her but she was! Helen Keeley said hello and thankfully I loved the tone of her voice because I am absolutely no good at masking my emotions.

Emma who works directly for the studio and is a whizz at everything led me to the booth and told me I’d be recording my bit first.

I was super conscious that due to the tight turnaround needed everyone was working the weekend and I was oddly calm (for me) as I vowed to do it in one take.

I didn’t.

Through my headphones, I could disconcertingly hear both myself (do I really sound like that?) and Emma in the studio who was giving me instructions.

The words I thought would phase me (why oh why did I put ‘totalitarian’ in my reader letter) didn’t but for some reason, I was rendered unable to pronounce ‘fifth’ and that word took three attempts. Emma had that wonderful Irish calmness and reassured me (lied) that I was doing okay. Voicing my acknowledgments, thanking my friends and family, as well as everyone who has been instrumental in bringing The Family to life, was so emotive. All too soon my part was over and it was time to settle back and watch Helen in action.

I left the booth and went into the main studio where I could both see and hear Helen. Emma told her to pick up where she had previously left off and… instant panic (I thought my lack of anxiety was strange). Sweat prickled as inside my mind looped the same six words.

Please don’t be a sex scene.

Please don’t be a sex scene.

Please don’t be a sex scene.

Fortunately, it wasn’t (I would totally have had to leave!) Instead Helen kicked off with Chapter Eight which is one of my favourite chapters. It’s the point in the book where Laura has reached rock bottom and this chapter is instrumental in her deciding moving to the commune is her only option. The emotion in Helen’s voice as she read was staggering – you can listen to the thirty-second clip I sneakily recorded below) and my eyes welled with tears (see above – I CANNOT mask my emotions).

Before long we’d reached the point in the story where Laura reaches the commune. As the story is set in Wales I had written the signposts outside of Oak Leaf Farm in both Welsh and English. At this point, Helen paused to listen to the correct pronunciations on her phone before she effortlessly parroted them but I felt awful for not considering as I wrote my story the potential difficulties a narrator might face. I WILL bear this in mind in the future!

After the recording stopped it was great to chat with Helen, Emma, and Rebecca about the audiobook process. I learned that it is the studio that sends over samples of narrators they think will be suitable for certain parts to the publisher (The Family has three narrators for each of the viewpoints).  After narrators are selected it’s a case of liaising with their agents and scheduling their availability with studio availability, always bearing in mind the publication date of the book.

It’s quicker than I thought to record a book – roughly speaking a day is allowed per hundred pages.

As the narrator reads the text is checked by at least one person. While I was there both Emma and Rebecca were reading along to make sure Helen wasn’t inadvertently skipping words or sentences (she wasn’t) as well as catching any last-minute errors in the manuscript.

Every now and then, Helen would ask to redo something and Emma, using Protools software would skip back, deleting previous words. She regularly added markers for beginnings of chapters to make it easy for the next stage – the editing.

This is where the book is tidied up. Any background sound, breathing, swallowing, pops on the mike, etc. is cut out and the whole thing is listened to and checked again. Any last minute pick-ups can sometimes mean the narrators have to rerecord certain bits before it is mastered and finally turned into an audiobook which is sent to the publisher who sends it out to retailers.

I am so grateful to my editor, Manpreet,  for arranging this experience – it meant such a lot to me, and for the team for putting up with me on a Saturday. It is genuinely something I shall never forget.

As I left, I asked Helen what was the thing she most enjoyed about narrating audiobooks.

‘I get a chance to play parts I might not otherwise be cast as,’ she said. ‘Although in your story I’m Laura, in her point of view I have to sometimes portray Alex. There’s no way I’d ever usually get to play the part of a male, Welsh, cult leader.’

She has a point.

‘The Family’ will be published as an ebook on 25th September and on paperback and audio on 3rd October. You can preorder in all formats here.

Do join me at my live Facebook launch party where I’ll be giving away both singed copies of my books, as well as a bundle donated by HQ stories. I’ll also be answering your questions on writing and books. You can find the event here.

#WelcomeToTheFamily

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