In Part I of my ‘Hook an Agent’ series I shared my submission letter for The Sister which you can read here. In Part II, here, Literary Agent Rory Scarfe told us ‘Never let your ideas be ordinary.’ We’ll skim over the part where my teenage son now thinks that’s a fabulous quote to get tattooed on his arm and move swiftly on to nailing that synopsis, often the most feared part of the submission package.
1) Know the difference between a pitch blurb and a synopsis.
There is a big difference between writing a blurb for your pitch letter and putting together a synopsis. Your synopsis should be a plainly written description of specifics – what actually happens in your novel. There is no rule about length but I’d advise sticking to a couple of pages at most.
Approach the blurb as though you are writing your own jacket copy for the finished, printed version. Imagine your book on the shelf in a bookshop and what elements of your story would entice someone to choose your novel over another.
2) Do give away the ending in your synopsis.
When an agent is reading your synopsis they want to see how it’s all going to come together at the end. Will it be a satisfying read? Is the plot convincing? We get so many submissions that we often want to know how a story is going to end before we commit to reading a whole manuscript.
3) Don’t try to make claims about the themes of your novel in the synopsis.
This advice applies to your cover letter and blurb too, apart from possibly a line or two right at the end. I want to know who your main characters are, what is going to happen to them and where the action is going to take place, much more than I want to hear generalisations about themes. ‘This is an epic love story exploring themes of loss, human connection and forgiveness’ tells me nothing about what’s actually going to happen the book I’m about to read!
Fabulous advice Rowan, thanks.
Now I’ve pondered how to share my synopsis for The Sister (submitted as Buried Memories), as I did my covering letter, and have been advised not to as it would ruin the book for those who have yet to read. I will however share my opening so you get the general idea without giving away spoilers. For me, it only came together firstly, when I was able to put aside the rich, descriptive language I love to use when I write and keep it very basic and to the point. Secondly, I had to stop viewing it as an enemy. The synopsis is a friend we use to demonstrate the plot hangs together and an epic love story doesn’t suddenly fall apart when aliens randomly appear in chapter 43 and in the epilogue it turns out it was all a dream anyway.
‘BURIED MEMORIES’ is a domestic noir story featuring Grace Matthews, an anxious 25-year old woman who is devastated by her best friend Charlie (Charlotte) Fisher’s death and can’t understand why Charlie’s Mum, Lexie Fisher, would blame her. She feels until she discovers the meaning behind Charlie’s last words ‘I’ve done something terrible, Grace, please forgive me,’ she can’t move forward.
Struggling to know where to start unravelling the mystery Grace remembers a memory box she and Charlie buried as teenagers and digs it up. Grace realises that Charlie’s biological father might know what Charlie did and decides to trace him. During the search Grace is followed by a mysterious figure and becomes paranoid and dependent on medication.
Dan, Grace’s boyfriend agrees to help find Charlie’s father even though he’s struggled to cope with Grace’s misplaced sense of guilt, and erratic behaviour, since Charlie’s death. They begin an online campaign and Anna comes forward. Anna tells Grace she is Charlie’s half-sister and that their shared father is deceased. Lonely Grace seizes the chance to form a bond with Anna, keeping a link to Charlie. Without checking her out Grace readily agrees when Anna asks if she can stay for a few days…
I do hope that was useful. Take a deep breath, remember to stick to the submission guidelines (the synopsis might need to be anything from 300 words to one or two pages).
You’ve got this. Good luck!
For the final instalment we’ll be joined next time by Eugenie Furniss who’ll give her advice for tightening those all important first three chapters.